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gptkbp:instance_of
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gptkb:theatre
gptkb:film
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
|
gptkb:The_Living_Theatre
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gptkbp:addresses
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social issues
|
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gptkbp:audience
|
gptkb:theorem
|
|
gptkbp:box_office
|
$1.5 million
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|
gptkbp:budget
|
$2 million
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|
gptkbp:calls_for
|
social change
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|
gptkbp:challenges
|
traditional theatre conventions
|
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gptkbp:characteristics
|
gptkb:Improvisation
Audience Engagement
Direct Address
|
|
gptkbp:cinematography
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gptkb:Eran_Kolirin
|
|
gptkbp:critical_reception
|
Positive reviews
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|
gptkbp:cultural_impact
|
gptkb:Significant
Influential
Controversial
Awards and nominations
Influence on cinema
Discussion on terrorism
Controversy over portrayal of suicide bombers
Discussion on Palestinian issues
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|
gptkbp:died_in
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various productions
|
|
gptkbp:directed_by
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gptkb:Hany_Abu-Assad
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gptkbp:distributor
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gptkb:Warner_Independent_Pictures
|
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gptkbp:duration
|
Approximately 90 minutes
|
|
gptkbp:edited_by
|
gptkb:Hany_Abu-Assad
|
|
gptkbp:explores
|
political themes
|
|
gptkbp:features
|
improvisation
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:has_influence_on
|
other theatrical works
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Paradise Now
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gptkbp:includes
|
gptkb:musical
gptkb:ballet
gptkb:poet
|
|
gptkbp:influenced
|
gptkb:Counterculture_Movement
gptkb:Theatre_of_the_Oppressed
|
|
gptkbp:is_analyzed_in
|
theatre studies
|
|
gptkbp:is_associated_with
|
gptkb:organization
|
|
gptkbp:is_celebrated_in
|
freedom
|
|
gptkbp:is_characterized_by
|
spontaneity
|
|
gptkbp:is_considered_as
|
political statement
landmark production
|
|
gptkbp:is_criticized_for
|
capitalism
its controversial content
|
|
gptkbp:is_discussed_in
|
academic literature
|
|
gptkbp:is_documented_in
|
gptkb:film
|
|
gptkbp:is_influenced_by
|
gptkb:Artist
Brechtian theatre
|
|
gptkbp:is_known_for
|
audience participation
its boldness
|
|
gptkbp:is_often_associated_with
|
radical
theatrical critiques
|
|
gptkbp:is_often_used_in
|
non-traditional spaces
|
|
gptkbp:is_part_of
|
American theatre history
The Living Theatre's repertoire
|
|
gptkbp:is_recognized_for
|
its innovation
|
|
gptkbp:is_reflected_in
|
1960s counterculture
|
|
gptkbp:landmark
|
experimental theatre.
|
|
gptkbp:language
|
gptkb:Arabic
English
|
|
gptkbp:music_by
|
gptkb:Jowan_Safadi
|
|
gptkbp:notable_inductees
|
gptkb:Academy_Award_for_Best_Foreign_Language_Film
|
|
gptkbp:notable_performance
|
gptkb:1968_Off-Broadway_Production
International Tours
|
|
gptkbp:official_language
|
English
|
|
gptkbp:performed_by
|
gptkb:musician
gptkb:theatre
gptkb:various_languages
gptkb:The_Living_Theatre
gptkb:The_Living_Theatre_ensemble
Public Spaces
|
|
gptkbp:plot
|
Two Palestinian childhood friends are recruited as suicide bombers.
|
|
gptkbp:premiered_on
|
gptkb:1968
gptkb:2005_Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Hany_Abu-Assad
gptkb:Michaël_Gentile
|
|
gptkbp:released_in
|
gptkb:2005
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:set_in
|
gptkb:Palestine
|
|
gptkbp:significance
|
theatre history
|
|
gptkbp:starring
|
gptkb:Lubna_Azabal
gptkb:Ali_Suliman
gptkb:Kais_Nashef
|
|
gptkbp:symbol
|
artistic freedom
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:political_movement
gptkb:Anarchy
gptkb:Freedom
gptkb:Community_Center
gptkb:military_conflict
gptkb:Sacrifice
Martyrdom
|
|
gptkbp:uses
|
non-linear narrative
|
|
gptkbp:was_a_response_to
|
gptkb:Vietnam_War
|
|
gptkbp:winner
|
gptkb:Golden_Globe_Award_for_Best_Foreign_Language_Film
|
|
gptkbp:written_by
|
gptkb:Judith_Malina
gptkb:Julian_Beck
|