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gptkbp:instance_of
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gptkb:miniseries
gptkb:novel
|
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gptkbp:adaptation
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gptkb:television_series
gptkb:television_adaptation
gptkb:miniseries
gptkb:film
|
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gptkbp:adaptation_year
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gptkb:2012
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gptkbp:author
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gptkb:Ford_Madox_Ford
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gptkbp:awards
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gptkb:Emmy_Awards
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
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gptkbp:based_on
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novels by Ford Madox Ford
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gptkbp:based_on_work
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Parade's End (novel)
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gptkbp:cast
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gptkb:Adelaide_Clemens
gptkb:Benedict_Cumberbatch
gptkb:Peter_Mullan
gptkb:Rebecca_Hall
gptkb:Rupert_Everett
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|
gptkbp:character
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gptkb:Christopher_Tietjens
gptkb:Edward_Tietjens
gptkb:Sylvia_Tietjens
General Campion
Major Mc Kechnie
Mr. Tietjens
Mrs. Tietjens
Valentine Wannop
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gptkbp:character_development
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gptkb:complex
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|
gptkbp:cinematography_by
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gptkb:Fabian_Wagner
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gptkbp:created_by
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gptkb:Tom_Stoppard
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gptkbp:critical_analysis
|
examines morality
examines masculinity
examines femininity
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|
gptkbp:critical_reception
|
acclaimed
positive
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|
gptkbp:cultural_impact
|
influenced literature
influenced film
influenced television
|
|
gptkbp:edited_by
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gptkb:John_Wilson
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gptkbp:film_editing
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Parade's End (2012)
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gptkbp:filming_location
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gptkb:Belgium
gptkb:United_Kingdom
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|
gptkbp:finale_date
|
September 2012
|
|
gptkbp:first_aired
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gptkb:2012
|
|
gptkbp:genre
|
gptkb:drama
gptkb:historical_fiction
|
|
gptkbp:historical_context
|
pre-World War II
post-Edwardian England
post-Victorian era
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Parade's End
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|
gptkbp:influence
|
gptkb:James_Joyce
gptkb:Virginia_Woolf
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|
gptkbp:inspiration
|
Ford Madox Ford's experiences in WWI
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gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
social commentary
war literature
modernist literature
|
|
gptkbp:music_by
|
gptkb:Adrian_Johnston
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|
gptkbp:narrative
|
third-person
multiple perspectives
non-linear
|
|
gptkbp:narrative_style
|
gptkb:Modernist
non-linear
|
|
gptkbp:notable_characters
|
gptkb:Bertie_Tietjens
gptkb:Edward_Tietjens
gptkb:Sylvia_Tietjens
|
|
gptkbp:number_of_episodes
|
gptkb:5
|
|
gptkbp:number_of_volumes
|
four
|
|
gptkbp:original_language
|
English
|
|
gptkbp:original_network
|
gptkb:HBO
gptkb:BBC_Two
|
|
gptkbp:premiere_date
|
August 2012
|
|
gptkbp:produced_by
|
gptkb:BBC
gptkb:HBO
|
|
gptkbp:production_company
|
gptkb:HBO_Films
Cuba Pictures
|
|
gptkbp:protagonist
|
gptkb:Christopher_Tietjens
|
|
gptkbp:published
|
1924
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gptkbp:publisher
|
gptkb:Duckworth
|
|
gptkbp:reader_demographic
|
widely studied
adapted into various media
|
|
gptkbp:release_date
|
August 2012
|
|
gptkbp:screenplay_by
|
gptkb:Tom_Stoppard
|
|
gptkbp:set_in
|
gptkb:World_War_I
|
|
gptkbp:setting
|
gptkb:World_War_I
|
|
gptkbp:starring
|
gptkb:Benedict_Cumberbatch
gptkb:Adrian_Scarborough
gptkb:Rebecca_Hall
gptkb:Rupert_Everett
|
|
gptkbp:style
|
lyrical
stream of consciousness
fragmented
|
|
gptkbp:symbolism
|
gptkb:social_class
the English countryside
the war
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:identity
gptkb:war
love
class struggle
|
|
gptkbp:viewership
|
1.5 million
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gptkbp:bfsParent
|
gptkb:Ford_Madox_Ford
|
|
gptkbp:bfsLayer
|
6
|