|
gptkbp:instance_of
|
gptkb:opera
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:The_Brooklyn_Academy_of_Music
gptkb:The_Israeli_Opera
gptkb:Jessye_Norman
gptkb:Teatro_Colón
gptkb:Franco_Zeffirelli
gptkb:National_Theatre_of_Opera_and_Ballet
gptkb:Diana_Damrau
gptkb:Dmitri_Hvorostovsky
gptkb:Elīna_Garanča
gptkb:Opéra_Bastille
gptkb:Renata_Tebaldi
gptkb:Anna_Moffo
gptkb:Sophie_Koch
gptkb:Teatro_Massimo
gptkb:Slovak_National_Theatre
gptkb:Valery_Gergiev
gptkb:Roberto_Alagna
gptkb:Plácido_Domingo
gptkb:Russell_Watson
gptkb:Cecilia_Bartoli
gptkb:Maria_Callas
gptkb:The_Vienna_State_Opera
gptkb:Opéra_de_Paris
gptkb:Metropolitan_Opera_Chorus
gptkb:Birgit_Nilsson
gptkb:Ruggero_Leoncavallo
gptkb:Christa_Ludwig
gptkb:Ezio_Pinza
|
|
gptkbp:activities
|
two acts
|
|
gptkbp:adaptation
|
gptkb:film
musical adaptations
ballet adaptations
films and stage productions
|
|
gptkbp:artistic_influence
|
influenced composers of the verismo style
|
|
gptkbp:associated_act
|
2
two
|
|
gptkbp:audience
|
often evokes strong emotional responses
|
|
gptkbp:character
|
gptkb:Tonio
gptkb:Nedda
Beppe
Silvio
|
|
gptkbp:character_development
|
Canio's transformation from joy to despair
|
|
gptkbp:character_relationships
|
Canio is married to Nedda
Nedda is in love with Silvio
Tonio loves Nedda
|
|
gptkbp:climax
|
Canio confronts Nedda and Silvio
|
|
gptkbp:composed_of
|
gptkb:Ruggero_Leoncavallo
written by Ruggero Leoncavallo
|
|
gptkbp:composer
|
gptkb:Ruggero_Leoncavallo
|
|
gptkbp:conflict
|
Canio discovers Nedda's infidelity
|
|
gptkbp:critical_reception
|
widely acclaimed
initially received mixed reviews
initially well-received
performed regularly
|
|
gptkbp:cultural_impact
|
inspired literature
inspired films
inspired visual arts
inspired other works
popular culture references
inspired music
adapted into various languages
considered a classic of the operatic repertoire
|
|
gptkbp:cultural_references
|
used in literature
used in music
referenced in literature and film
used in theater
used in film
|
|
gptkbp:cultural_significance
|
reflection of societal issues
exploration of the human condition
considered a classic of opera
icon of Italian opera
symbol of tragic art
represents the struggles of the artist
|
|
gptkbp:duration
|
approximately 75 minutes
|
|
gptkbp:famous_for
|
gptkb:Vesti_la_giubba
|
|
gptkbp:filming_location
|
Teatro Dal Verme
|
|
gptkbp:first_performance
|
May 21, 1892
|
|
gptkbp:genre
|
verismo
verismo opera
|
|
gptkbp:historical_context
|
reflects societal issues of the time
addresses social issues of the time
reflects late 19th-century Italian society
reflects late 19th-century Italy
emerged during verismo movement
influenced by realism in art
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Pagliacci
|
|
gptkbp:influence
|
gptkb:painting
inspired many adaptations
subsequent operas
|
|
gptkbp:influenced_artists
|
influenced composers like Giacomo Puccini
|
|
gptkbp:inspiration
|
based on a true story
inspired other operas and musicals
|
|
gptkbp:is_motivated_by
|
Canio's desire for revenge
Nedda's struggle for freedom
Tonio's unrequited love for Nedda
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:legacy
|
remains a staple in opera houses
|
|
gptkbp:main_character
|
gptkb:Tonio
gptkb:Canio
gptkb:Nedda
|
|
gptkbp:motif
|
love, betrayal, and revenge
|
|
gptkbp:music_style
|
emotional depth
lyrical melodies
realistic dialogue
dramatic orchestration
combines lyrical melodies with dramatic intensity
combines lyrical melodies with dramatic elements
includes a play within the opera
|
|
gptkbp:notable_artists
|
gptkb:Anna_Netrebko
gptkb:Renata_Tebaldi
gptkb:Plácido_Domingo
gptkb:Luciano_Pavarotti
|
|
gptkbp:notable_character
|
gptkb:Tonio
gptkb:Canio
gptkb:Nedda
|
|
gptkbp:notable_conductors
|
gptkb:Arturo_Toscanini
gptkb:Tullio_Serafin
|
|
gptkbp:notable_performance
|
gptkb:La_Scala
gptkb:Royal_Opera_House
gptkb:La_Scala,_Milan
gptkb:opera
performed worldwide
performed at the first modern Olympic Games in 1896.
|
|
gptkbp:notable_performers
|
gptkb:Anna_Netrebko
gptkb:Renata_Tebaldi
gptkb:Plácido_Domingo
gptkb:Luciano_Pavarotti
gptkb:Enrico_Caruso
gptkb:Giuseppe_Di_Stefano
Tonio often performed by baritones
many famous tenors have performed Canio
many sopranos have performed Nedda
|
|
gptkbp:notable_production
|
gptkb:film_festival
gptkb:Pittsburgh_Opera
gptkb:Bavarian_State_Opera
gptkb:Palm_Beach_Opera
gptkb:Dallas_Opera
gptkb:Lyric_Opera_of_Chicago
gptkb:Opera_Philadelphia
gptkb:Canadian_Opera_Company
gptkb:Opera_Australia
gptkb:La_Scala
gptkb:Cincinnati_Opera
gptkb:Royal_Opera_House
gptkb:Vienna_State_Opera
gptkb:Opera_Theatre_of_Saint_Louis
gptkb:San_Francisco_Opera
gptkb:Minnesota_Opera
gptkb:New_Orleans_Opera
gptkb:opera
gptkb:Florida_Grand_Opera
performed at the Vienna State Opera
performed at the Metropolitan Opera
performed at the Royal Opera House
performed at the San Francisco Opera
performed at the Sydney Opera House
|
|
gptkbp:notable_quote
|
' La commedia è finita!'
|
|
gptkbp:notable_recordings
|
numerous recordings exist
multiple recordings available
multiple famous recordings
|
|
gptkbp:notable_song
|
gptkb:Vesti_la_giubba
|
|
gptkbp:official_language
|
gptkb:Italian
|
|
gptkbp:orchestration
|
gptkb:orchestra
orchestra and voices
orchestra and vocalists
|
|
gptkbp:performance
|
includes commedia dell'arte elements
|
|
gptkbp:plot
|
a tragic story of a clown
a tragic story of jealousy and betrayal
|
|
gptkbp:premiere
|
1892
|
|
gptkbp:premiere_date
|
1892
|
|
gptkbp:premiered_on
|
1892
|
|
gptkbp:resolution
|
tragedy unfolds on stage
|
|
gptkbp:reunion
|
frequently revived in opera houses
|
|
gptkbp:setting
|
gptkb:Calabria
gptkb:Italy
gptkb:Calabria,_Italy
|
|
gptkbp:symbolism
|
the clown as a tragic figure
|
|
gptkbp:thematic_element
|
gptkb:betrayal
gptkb:jealousy
gptkb:earthquake
love
the nature of performance
the duality of life and art
|
|
gptkbp:themes
|
theater within a theater
|