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gptkbp:instance_of
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gptkb:Watchmen
gptkb:Servant
gptkb:poetry
gptkb:King
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gptkbp:adaptation
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gptkb:musical_composition
gptkb:artworks
graphic novels
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gptkbp:adaptations
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various films and literature
various artistic interpretations
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gptkbp:adapted_into
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gptkb:films
gptkb:theater
gptkb:music
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gptkbp:affiliation
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gptkb:Watchmen
Crimebusters
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gptkbp:air_date
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2013-09-15
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gptkbp:allusion
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the fleeting nature of human achievement
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gptkbp:analysis
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explores hubris
reflects on legacy
contrasts human ambition with nature
depicts the ravages of time
examines the futility of pride
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gptkbp:artistic_vision
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decay
broken statue
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gptkbp:associated_with
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gptkb:Ramses_II
gptkb:The_Great_Pyramid
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gptkbp:author
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gptkb:Percy_Bysshe_Shelley
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gptkbp:character
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gptkb:Ozymandias
gptkb:tourism
gptkb:sculpture
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gptkbp:character_voice
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gptkb:tourism
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gptkbp:class
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gptkb:Rider
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gptkbp:contains_song
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ABABACDCEDEFEF
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gptkbp:creator
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gptkb:Dave_Gibbons
gptkb:Alan_Moore
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gptkbp:critical_analysis
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explores hubris
contrasts past and present
reflects on human legacy
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gptkbp:critical_reception
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widely acclaimed
considered one of Shelley's best works
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gptkbp:cultural_impact
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widely studied in literature classes
reference in popular culture
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gptkbp:cultural_references
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used in discussions of legacy
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gptkbp:depicted_in
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gptkb:sculpture
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gptkbp:directed_by
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gptkb:Rian_Johnson
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gptkbp:episode_number
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gptkb:14
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gptkbp:famous_for
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its philosophical depth
its vivid imagery
The poem by Percy Bysshe Shelley
exploring the theme of transience
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gptkbp:famous_quote
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Look on my Works, ye Mighty, and despair!
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gptkbp:first_appearance
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gptkb:Watchmen_#1
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gptkbp:form
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gptkb:sonnet
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gptkbp:has_units
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iambic pentameter
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gptkbp:historical_context
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written during the Industrial Revolution
inspired by ancient Egypt
inspired by a statue of Ramses II
reflects Victorian attitudes towards empire
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gptkbp:historical_interpretation
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a critique of tyranny
a warning against arrogance
a commentary on leadership
a critique of civilization
a meditation on art and time
a reflection on human mortality
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https://www.w3.org/2000/01/rdf-schema#label
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Ozymandias
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gptkbp:influence
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gptkb:Romanticism
modern poetry
inspired other poets
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gptkbp:influenced
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gptkb:T._S._Eliot
postmodern literature
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gptkbp:influenced_by
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gptkb:Lord_Byron
gptkb:Byron
gptkb:William_Wordsworth
gptkb:John_Keats
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gptkbp:inspiration
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gptkb:statue_of_Ramses_II
gptkb:ancient_ruins
Egyptian history
statues of pharaohs
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gptkbp:is_analyzed_in
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gptkb:literary_criticism
cultural studies
philosophical discussions
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gptkbp:is_cited_in
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academic papers
cultural studies
philosophical discussions
literary critiques
history of poetry
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gptkbp:is_located_in
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gptkb:Egypt
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gptkbp:known_as
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gptkb:Egypt
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gptkbp:language
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English
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gptkbp:legacy
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gptkb:Sphinx_of_Giza
enduring popularity
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gptkbp:line
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I met a traveller from an antique land.
The lone and level sands stretch far away.
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gptkbp:literary_devices
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gptkb:metaphor
gptkb:personification
symbolism
irony
alliteration
enjambment
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gptkbp:literary_movement
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gptkb:Romanticism
Romantic period
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gptkbp:narrative
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first-person
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gptkbp:notable_feature
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gptkb:intelligence
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gptkbp:notable_quote
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Look on my Works, ye Mighty, and despair!
My name is Ozymandias, King of Kings.
The lone and level sands stretch far away.
Nothing beside remains.
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gptkbp:occupation
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gptkb:Businessman
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gptkbp:plot
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The fallout from a drug deal gone wrong.
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gptkbp:poem_length
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14 lines
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gptkbp:published_in
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1818
The Examiner
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gptkbp:real_name
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gptkb:Adrian_Veidt
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gptkbp:related_works
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gptkb:The_Second_Coming
gptkb:The_Waste_Land
gptkb:The_Sphinx
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gptkbp:ruled
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gptkb:Ancient_Egypt
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gptkbp:setting
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gptkb:ruins
gptkb:desert
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gptkbp:sound
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gptkb:melancholic
reflective
ironic
sardonic
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gptkbp:structure
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14 lines
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gptkbp:symbolism
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gptkb:Sphinx
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gptkbp:theme
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the impermanence of power
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gptkbp:title
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gptkb:King_of_Kings
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gptkbp:written_by
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gptkb:Moira_Walley-Beckett
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gptkbp:bfsParent
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gptkb:DC_Comics
gptkb:Dave_Gibbons
gptkb:Percy_Bysshe_Shelley
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gptkbp:bfsLayer
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4
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