|
gptkbp:instanceOf
|
novel
|
|
gptkbp:adaptation
|
film
radio
theatre
cult following
|
|
gptkbp:artMovement
|
none
critical commentary on espionage
|
|
gptkbp:associatedWith
|
Wormold and his daughter
|
|
gptkbp:author
|
gptkb:Graham_Greene
|
|
gptkbp:characterAppearance
|
Wormold_vs_British_intelligence
|
|
gptkbp:characterArc
|
Jim_Wormold's_transformation
|
|
gptkbp:characterDevelopment
|
satirical portrayal
Wormold's_journey
|
|
gptkbp:characterTraits
|
naivety
financial gain
ordinary_man
|
|
gptkbp:conflict
|
personal vs professional
satirical ending
|
|
gptkbp:critical_reception
|
adapted into various media
|
|
gptkbp:criticalReception
|
mixed
|
|
gptkbp:culturalHeritage
|
British_humor
|
|
gptkbp:culturalImpact
|
influenced spy fiction
|
|
gptkbp:culturalSignificance
|
satire of bureaucracy
|
|
gptkbp:filmFestival
|
gptkb:Graham_Greene
|
|
gptkbp:filmography
|
gptkb:Carol_Reed
1959
|
|
gptkbp:genre
|
satire
|
|
gptkbp:historicalContext
|
post-war_era
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Our Man in Havana
|
|
gptkbp:influenced
|
subsequent spy novels
spy_genre
|
|
gptkbp:influences
|
gptkb:Cold_War
|
|
gptkbp:inspiration
|
real-life espionage
|
|
gptkbp:language
|
English
|
|
gptkbp:mainCharacter
|
gptkb:Jim_Wormold
|
|
gptkbp:motif
|
deception
|
|
gptkbp:narrativeStyle
|
first-person
irony
|
|
gptkbp:notableQuote
|
'I am a man of peace.'
|
|
gptkbp:plot
|
reveal of deception
a_British_man_becomes_a_spy_in_Cuba
|
|
gptkbp:productionYears
|
1960
2001
|
|
gptkbp:publishedBy
|
1958
|
|
gptkbp:publisher
|
Heinemann
|
|
gptkbp:setting
|
gptkb:Cuba
1950s
|
|
gptkbp:style
|
humorous
|
|
gptkbp:symbolism
|
the vacuum cleaner
|
|
gptkbp:theme
|
espionage
|
|
gptkbp:userDemographics
|
varied interpretations
|