Statements (51)
Predicate | Object |
---|---|
gptkbp:instanceOf |
gptkb:Artist
|
gptkbp:affiliation |
International_Art_Community
African_Artists'_Foundation Nigerian_Contemporary_Art_Network |
gptkbp:artwork |
gptkb:African_Art
Contemporary Art Memory Cultural Identity Environmental Art Land and Environment |
gptkbp:awards |
gptkb:The_Prince_Claus_Fund_Award
Art Prize Winner Fellowship at the Rijksakademie |
gptkbp:birthPlace |
gptkb:Kano,_Nigeria
|
gptkbp:collaborations |
Various International Artists
|
gptkbp:education |
gptkb:Royal_College_of_Art
|
gptkbp:exhibits |
Venice Biennale
Documenta 14 |
gptkbp:field |
Visual Arts
|
https://www.w3.org/2000/01/rdf-schema#label |
Otobong Nkanga
|
gptkbp:influences |
gptkb:African_Art
Contemporary Art Postcolonial Theory |
gptkbp:inspiration |
Community Engagement
History Nature Personal Experience Cultural Narratives |
gptkbp:knownFor |
Performance Art
Installation Art |
gptkbp:nationality |
Nigerian
|
gptkbp:participatedIn |
gptkb:Berlin_Biennale
Frieze Art Fair Art Basel Sharjah Biennial Lagos Biennial |
gptkbp:residence |
gptkb:Antwerp,_Belgium
|
gptkbp:style |
Conceptual Art
Environmental Art Social_Practice_Art |
gptkbp:theme |
Ecology
Colonialism Migration Cultural_Heritage Identity_Politics |
gptkbp:website |
otobongnkanga.com
|
gptkbp:works |
The Future is Now
The Way We See It The_Land_of_Milk_and_Honey Carved_Earth The_Weight_of_Scars |