Statements (60)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:novel
|
gptkbp:adaptation |
gptkb:television_series
gptkb:theater gptkb:film |
gptkbp:author |
gptkb:Eça_de_Queirós
|
gptkbp:character_development |
Afonso's wisdom
Carlos' growth Maria Eduarda's struggles |
gptkbp:character_relationships |
Afonso da Maia and Carlos
Carlos and Maria Eduarda Maria Eduarda and her family |
gptkbp:conflict |
class struggle
|
gptkbp:critical_analysis |
studied in literature courses
examined for its depth |
gptkbp:critical_reception |
widely regarded as a masterpiece
|
gptkbp:cultural_impact |
influenced later writers
|
gptkbp:cultural_references |
inspired artworks
often referenced in Portuguese culture |
gptkbp:genre |
realism
|
gptkbp:historical_context |
addresses colonialism
depicts the bourgeoisie reflects Portuguese society |
https://www.w3.org/2000/01/rdf-schema#label |
Os Maias
|
gptkbp:influence |
gptkb:Spanish_literature
|
gptkbp:inspiration |
Eça de Queirós' own life
|
gptkbp:language |
gptkb:Portuguese
|
gptkbp:literary_devices |
irony
foreshadowing flashback |
gptkbp:literary_movement |
gptkb:Realism
Naturalism |
gptkbp:main_character |
Carlos Eduardo
Maria Eduarda |
gptkbp:motif |
gptkb:betrayal
gptkb:identity nostalgia |
gptkbp:narrative_style |
omniscient narrator
|
gptkbp:notable_quote |
" A vida é uma comédia para aqueles que pensam, e uma tragédia para aqueles que sentem."
|
gptkbp:plot_point |
the revelation of secrets
the social gatherings the ending tragedy Carlos' return to Lisbon the family tragedy the love affair |
gptkbp:protagonist |
gptkb:Carlos_da_Maia
|
gptkbp:published |
1888
|
gptkbp:setting |
gptkb:Lisbon
|
gptkbp:structure |
three volumes
|
gptkbp:symbol |
the train
the city of Lisbon the Maia family house |
gptkbp:symbolism |
the decline of the aristocracy
|
gptkbp:theme |
love
social criticism family dynamics |
gptkbp:year |
gptkb:19th_century
|
gptkbp:bfsParent |
gptkb:Maria_Eça_de_Queirós
gptkb:Mário_Viegas gptkb:José_Maria_de_Queirós |
gptkbp:bfsLayer |
6
|