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gptkbp:instanceOf
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opera
|
|
gptkbp:adaptation
|
film adaptation
musical adaptation
theatrical adaptation
ballet adaptation
|
|
gptkbp:basedOn
|
gptkb:Greek_mythology
|
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gptkbp:composer
|
gptkb:Jacques_Offenbach
|
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gptkbp:culturalImpact
|
inspired adaptations
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gptkbp:culturalSignificance
|
satire of society
influence on modern musicals
influence on contemporary opera
parody of classical myths
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gptkbp:genre
|
operetta
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https://www.w3.org/2000/01/rdf-schema#label
|
Orphée aux enfers
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gptkbp:influence
|
later operettas
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gptkbp:language
|
French
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gptkbp:notableEvent
|
gptkb:Metropolitan_Opera
gptkb:Royal_Opera_House
gptkb:Theatre_de_la_Gaîté
Opéra-Comique
|
|
gptkbp:notableFeature
|
gptkb:Jupiter
gptkb:Eurydice
gptkb:Pluto
Orpheus
Proserpina
Au fond du temple saint
the power of music
the conflict between gods and mortals
the folly of love
the absurdity of fate
the journey to the underworld
|
|
gptkbp:numberOfStudents
|
2
|
|
gptkbp:officialLanguage
|
French
|
|
gptkbp:performance
|
French_operetta_tradition
|
|
gptkbp:premieredOn
|
1858
|
|
gptkbp:recordings
|
gptkb:Naxos_Records
gptkb:EMI_Classics
gptkb:Chandos_Records
Deutsche Grammophon
Harmonia Mundi
|
|
gptkbp:setting
|
the Underworld
|
|
gptkbp:thematicElement
|
love
comedy
death
|
|
gptkbp:type
|
gptkb:Henri_Meilhac
gptkb:Ludovic_Halévy
|