Properties (38)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
liturgical drama
|
| gptkbp:adaptation |
modern operatic interpretations
|
| gptkbp:composer |
gptkb:Hildegard_of_Bingen
|
| gptkbp:criticalReception |
recognized as a significant work in early music history
|
| gptkbp:culturalHeritage |
gptkb:medieval_Christianity
|
| gptkbp:culturalImpact |
influenced feminist interpretations of medieval texts
used in educational settings to teach about medieval music featured in discussions of medieval morality plays performed in contemporary music festivals included in university curricula on medieval studies inspired academic research on women's roles in medieval music |
| gptkbp:duration |
approximately 90 minutes
|
| gptkbp:genre |
sacred music
|
| gptkbp:hasPerformance |
c. 1151
|
| gptkbp:historical_analysis |
examined for its musical structure
analyzed for its dramatic elements studied for its theological implications |
| gptkbp:historicalSignificance |
one of the earliest morality plays
|
| https://www.w3.org/2000/01/rdf-schema#label |
Ordo Virtutum
|
| gptkbp:influence |
inspired later liturgical dramas
|
| gptkbp:instrument |
organ
percussion vocal ensemble |
| gptkbp:language |
gptkb:Latin
|
| gptkbp:maintainedBy |
manuscripts
|
| gptkbp:majorIndustry |
the struggle for the soul
|
| gptkbp:musicStyle |
gptkb:Gregorian_chant
|
| gptkbp:notableFeature |
The Soul
Virtues The Devil performed at the 2012 York Early Music Festival Hildegard_von_Bingen:_Ordo_Virtutum_by_Sequentia Ordo_Virtutum_by_Anonymous_4 Ordo_Virtutum_by_Ensemble_Gilles_Binchois |
| gptkbp:numberOfStudents |
16
|
| gptkbp:performance |
sung
performed in monasteries |
| gptkbp:thematicElement |
redemption
|