|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:awarded
|
gptkb:Academy_Award_for_Best_Story_and_Screenplay
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Supporting_Actress
|
|
gptkbp:basedOn
|
articles by Malcolm Johnson
|
|
gptkbp:boxOfficeGross
|
$9.6 million (US)
|
|
gptkbp:cinematography
|
gptkb:Boris_Kaufman
|
|
gptkbp:colorProcess
|
black-and-white
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:director
|
gptkb:Elia_Kazan
|
|
gptkbp:distributedBy
|
gptkb:Columbia_Pictures
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:editingBy
|
gptkb:Gene_Milford
|
|
gptkbp:filmingLocation
|
gptkb:Hoboken,_New_Jersey
|
|
gptkbp:genre
|
crime drama
drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
On the Waterfront
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:Leonard_Bernstein
|
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:Academy_Award_for_Best_Costume_Design
gptkb:Academy_Award_for_Best_Score
|
|
gptkbp:notableQuote
|
I coulda been a contender.
|
|
gptkbp:preservedIn
|
gptkb:United_States_National_Film_Registry
|
|
gptkbp:producer
|
gptkb:Sam_Spiegel
|
|
gptkbp:productionCompany
|
gptkb:Horizon_Pictures
|
|
gptkbp:releaseDate
|
1954-07-28
|
|
gptkbp:runtime
|
108 minutes
|
|
gptkbp:screenwriter
|
gptkb:Budd_Schulberg
|
|
gptkbp:sequel
|
none
|
|
gptkbp:setIn
|
gptkb:New_Jersey
gptkb:Hoboken
|
|
gptkbp:starring
|
gptkb:Rod_Steiger
gptkb:Marlon_Brando
gptkb:Eva_Marie_Saint
gptkb:Karl_Malden
gptkb:Lee_J._Cobb
|
|
gptkbp:subject
|
gptkb:crime
whistleblowing
longshoremen
|
|
gptkbp:theme
|
corruption
labor unions
redemption
conscience
|
|
gptkbp:bfsParent
|
gptkb:Best_Picture
gptkb:Marlon_Brando
|
|
gptkbp:bfsLayer
|
4
|