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gptkbp:instance_of
|
gptkb:musical
gptkb:film
|
|
gptkbp:adapted_into
|
a short story by Budd Schulberg
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gptkbp:awards
|
gptkb:Best_Actor
gptkb:Best_Director
gptkb:Best_Supporting_Actress
Best Picture
Best Story and Screenplay
|
|
gptkbp:based_on
|
The Hook
a screenplay by Budd Schulberg
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|
gptkbp:box_office
|
$9 million
|
|
gptkbp:cinematography_by
|
gptkb:Boris_Kaufman
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gptkbp:created_by
|
gptkb:Budd_Schulberg
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gptkbp:cultural_impact
|
critically acclaimed
famous quotes
iconic performances
influential film
|
|
gptkbp:depicts
|
the struggles of dockworkers
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gptkbp:directed_by
|
gptkb:Elia_Kazan
|
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gptkbp:edited_by
|
gptkb:Gene_Milford
|
|
gptkbp:editing
|
gptkb:Gene_Milford
|
|
gptkbp:explores_themes
|
gptkb:loyalty
gptkb:corruption
redemption
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|
gptkbp:features
|
gptkb:Marlon_Brando
|
|
gptkbp:features_song
|
gptkb:Budd_Schulberg
gptkb:Bernstein
|
|
gptkbp:features_voice_actors
|
gptkb:Rod_Steiger
gptkb:Eva_Marie_Saint
gptkb:Lee_J._Cobb
gptkb:Karl_Malden
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:Academy_Awards
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
|
|
gptkbp:filming_location
|
black and white
|
|
gptkbp:filmography
|
gptkb:Boris_Kaufman
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_awards
|
8 Academy Awards
|
|
gptkbp:has_cameo
|
gptkb:John_F._Kennedy
|
|
gptkbp:has_cultural_impact
|
inspired discussions on labor rights
|
|
gptkbp:has_genre
|
gptkb:musical
gptkb:drama
gptkb:crime
|
|
gptkbp:has_legacy
|
inspired stage adaptations
|
|
gptkbp:has_quote
|
I coulda been a contender.
|
|
gptkbp:highlights
|
the role of unions
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
On the Waterfront
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|
gptkbp:influenced
|
future films about labor issues
|
|
gptkbp:influenced_by
|
gptkb:labor_unions
real-life events
Marlon Brando's method acting
|
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
streaming services
|
|
gptkbp:is_cited_in
|
film studies courses
|
|
gptkbp:is_considered
|
a classic of American cinema
a landmark film in American cinema.
|
|
gptkbp:is_distributed_by
|
gptkb:Columbia_Pictures
|
|
gptkbp:is_influenced_by
|
gptkb:Italian_neorealism
|
|
gptkbp:is_notable_for
|
its realistic portrayal of working-class life
its use of location shooting
|
|
gptkbp:is_recognized_by
|
gptkb:American_Film_Institute
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_set_in
|
the 1950s
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered one of the greatest films of all time
cited in film studies
inspired future filmmakers
|
|
gptkbp:music_by
|
gptkb:Bernstein
|
|
gptkbp:narrative_theme
|
gptkb:betrayal
gptkb:loyalty
gptkb:corruption
redemption
|
|
gptkbp:notable_scene
|
Eva Marie Saint's character
I coulda been a contender
Marlon Brando's performance
dockworkers' strike
|
|
gptkbp:premiered_on
|
gptkb:1954
|
|
gptkbp:produced_by
|
gptkb:Columbia_Pictures
gptkb:Sam_Spiegel
|
|
gptkbp:rank
|
one of the greatest films of all time
|
|
gptkbp:released
|
gptkb:1954
|
|
gptkbp:remake
|
On the Waterfront (musical)
|
|
gptkbp:runtime
|
108 minutes
|
|
gptkbp:set_in
|
gptkb:New_Jersey
|
|
gptkbp:starring
|
gptkb:Marlon_Brando
gptkb:Rod_Steiger
gptkb:Eva_Marie_Saint
gptkb:Lee_J._Cobb
gptkb:Karl_Malden
|
|
gptkbp:won
|
gptkb:Academy_Award_for_Best_Picture
|
|
gptkbp:written_by
|
gptkb:Budd_Schulberg
|
|
gptkbp:bfsParent
|
gptkb:Marlon_Brando
|
|
gptkbp:bfsLayer
|
3
|