Statements (47)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:play
|
gptkbp:adaptation |
gptkb:film_adaptation
gptkb:opera |
gptkbp:character |
gptkb:Kent
gptkb:Cordelia gptkb:Edmund gptkb:Goneril gptkb:Regan gptkb:Gloucester gptkb:Edgar gptkb:Trolls |
gptkbp:cultural_impact |
examines human nature.
often referenced in popular culture. influenced modern storytelling. performed worldwide. studied in literature courses. inspired numerous adaptations. addresses the nature of authority. depicts the consequences of pride. explores themes of power and justice. highly regarded in literary canon. |
gptkbp:first_performance |
1606
|
gptkbp:genre |
gptkb:tragedy
|
https://www.w3.org/2000/01/rdf-schema#label |
O Rei Lear
|
gptkbp:influence |
gptkb:theater
Western literature |
gptkbp:language |
English
|
gptkbp:main_character |
gptkb:King_Lear
|
gptkbp:music_style |
gptkb:Shakespearean_tragedy
|
gptkbp:notable_quote |
“ How sharper than a serpent's tooth it is to have a thankless child!”
“ Nothing will come of nothing.” “ The wheel is come full circle.” “ I am a man more sinned against than sinning.” |
gptkbp:original_language |
Early Modern English
|
gptkbp:plot |
King Lear divides his kingdom among his daughters.
The tragic ending. Lear's descent into madness. The betrayal by Goneril and Regan. The loyalty of Cordelia. |
gptkbp:published |
1623
|
gptkbp:setting |
gptkb:Britain
|
gptkbp:theme |
gptkb:betrayal
gptkb:family madness |
gptkbp:written_by |
gptkb:William_Shakespeare
|
gptkbp:bfsParent |
gptkb:Lisbon_National_Theatre
|
gptkbp:bfsLayer |
6
|