|
gptkbp:instance_of
|
gptkb:Hachette_Livre
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:adaptations
|
gptkb:theater
|
|
gptkbp:artistic_legacy
|
enduring
|
|
gptkbp:author
|
Joaquim Nogueira
|
|
gptkbp:awards
|
gptkb:Prêmio_Jabuti
|
|
gptkbp:character_arc
|
dynamic
|
|
gptkbp:character_development
|
gptkb:significant
gptkb:complex
|
|
gptkbp:character_motivation
|
search for meaning
|
|
gptkbp:character_relationships
|
gptkb:complex
self-doubt
|
|
gptkbp:conflict
|
internal
ambiguous
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:criticism
|
analyzed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:cultural_references
|
numerous
|
|
gptkbp:element
|
gptkb:dreams
|
|
gptkbp:genre
|
gptkb:Fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
O Homem que Não Queria Ser Deus
|
|
gptkbp:influenced_artists
|
notable
|
|
gptkbp:influenced_by
|
existential philosophy
|
|
gptkbp:influences
|
gptkb:Kafka
|
|
gptkbp:inspiration
|
personal experiences
|
|
gptkbp:isbn
|
978-85-12345-67-8
|
|
gptkbp:language
|
gptkb:Portuguese
|
|
gptkbp:language_spoken
|
realistic
|
|
gptkbp:literary_devices
|
gptkb:metaphor
|
|
gptkbp:main_character
|
Antônio
|
|
gptkbp:mood
|
gptkb:melancholic
|
|
gptkbp:motif
|
gptkb:identity
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:narrative_style
|
first-person
experimental
|
|
gptkbp:page_count
|
250
|
|
gptkbp:philosophy
|
meaning of life
|
|
gptkbp:plot_element
|
surreal events
|
|
gptkbp:plot_twist
|
unexpected
|
|
gptkbp:protagonist
|
Antônio
|
|
gptkbp:publication_year
|
gptkb:2010
|
|
gptkbp:publisher
|
Editora XYZ
|
|
gptkbp:reader_demographic
|
varied
thought-provoking
|
|
gptkbp:related_works
|
A Metamorfose
|
|
gptkbp:setting
|
gptkb:Brazil
|
|
gptkbp:setting_time
|
contemporary
|
|
gptkbp:sound
|
reflective
|
|
gptkbp:style
|
surrealism
|
|
gptkbp:symbolism
|
gptkb:transformation
|
|
gptkbp:target_audience
|
adults
|
|
gptkbp:theme
|
gptkb:existentialism
|
|
gptkbp:themes
|
gptkb:absurdism
alienation
|
|
gptkbp:bfsParent
|
gptkb:Tony_Bellotto
|
|
gptkbp:bfsLayer
|
6
|