Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
film
theater nominated for awards |
| gptkbp:artMovement |
absurdism
classic of 20th-century literature |
| gptkbp:author |
gptkb:Albert_Camus
|
| gptkbp:constructionStarted |
gptkb:Raymond_Sintès
murder important character central plot point key aspect of character transformation through trial |
| gptkbp:criticalReception |
widely acclaimed
extensively analyzed |
| gptkbp:culturalHeritage |
frequently referenced in popular culture
|
| gptkbp:culturalImpact |
significant
|
| gptkbp:filmography |
1967
Luchino Visconti |
| gptkbp:genre |
philosophical novel
|
| gptkbp:hasAmenities |
central theme
|
| gptkbp:hasOccupation |
gptkb:Marie_Cardona
|
| https://www.w3.org/2000/01/rdf-schema#label |
O Estrangeiro
|
| gptkbp:influence |
existentialism
|
| gptkbp:influenced |
existential philosophy
numerous authors |
| gptkbp:inspiration |
philosophical essays
|
| gptkbp:isReflectedIn |
acceptance of fate
|
| gptkbp:keywords |
“I felt that I was happy.”
|
| gptkbp:mainCharacter |
Meursault
|
| gptkbp:narrativeStyle |
first-person
linear_narrative |
| gptkbp:notableQuote |
“I opened myself to the gentle indifference of the world.”
|
| gptkbp:occursAnnually |
detached
|
| gptkbp:officialLanguage |
French
|
| gptkbp:philosophy |
questions of morality
existence and meaning |
| gptkbp:phylum |
absurdism
|
| gptkbp:productionStartYear |
gptkb:Giorgio_Strehler
|
| gptkbp:productionYears |
1946
|
| gptkbp:publisher |
gptkb:Gallimard
|
| gptkbp:releaseYear |
1942
|
| gptkbp:setting |
gptkb:Algeria
|
| gptkbp:symbolism |
death
the sea the sun indifference the courtroom |
| gptkbp:theme |
absurdism
|
| gptkbp:translatedInto |
multiple languages
various translators |
| gptkbp:userDemographics |
polarizing opinions
|