Statements (66)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:audience |
Cult following in Brazil.
Provokes thought on justice and morality. |
| gptkbp:awards |
Best Film at the Festival de Cannes.
|
| gptkbp:box_office |
Successful in Brazil.
|
| gptkbp:character |
The protagonist is a cangaceiro.
|
| gptkbp:character_arc |
The protagonist's journey from bandit to hero.
|
| gptkbp:character_development |
Focuses on the moral dilemmas of the protagonist.
|
| gptkbp:character_motivation |
Driven by social injustice.
|
| gptkbp:character_relationships |
Internal and external conflicts.
Complex relationships among cangaceiros. |
| gptkbp:character_traits |
Protagonist exhibits bravery and resilience.
|
| gptkbp:cinematography |
gptkb:Mário_Carneiro
|
| gptkbp:color |
Black and white
|
| gptkbp:community_impact |
Reflects societal issues of the time.
|
| gptkbp:country |
gptkb:Brazil
|
| gptkbp:critical_reception |
Well-received by critics.
|
| gptkbp:cultural_impact |
Significant in Brazilian cultural identity.
|
| gptkbp:cultural_references |
References to Brazilian history.
|
| gptkbp:cultural_significance |
Important in understanding Brazilian folklore.
Represents Brazilian folklore and history. |
| gptkbp:cultural_symbol |
Symbol of resistance in Brazilian culture.
|
| gptkbp:director |
gptkb:Lima_Barreto
|
| gptkbp:distributor |
Cinematográfica Maristela
|
| gptkbp:editing |
Raimundo de Oliveira
|
| gptkbp:film_technique |
Innovative for its time.
Use of natural landscapes. American Westerns. Blend of drama and action. |
| gptkbp:filming_location |
Filmed in the Brazilian hinterlands.
|
| gptkbp:genre |
Western
|
| gptkbp:historical_context |
Set during the early 20th century.
|
| gptkbp:historical_figures |
References to real cangaceiros.
|
| gptkbp:historical_legacy |
Continues to influence Brazilian filmmakers.
|
| https://www.w3.org/2000/01/rdf-schema#label |
O Cangaceiro
|
| gptkbp:influenced |
Cinematic portrayals of banditry.
|
| gptkbp:influenced_artists |
Northeast Brazilian literature.
Traditional cangaço music. Visual arts depicting cangaço. |
| gptkbp:influenced_by |
Cinematic Westerns
|
| gptkbp:inspiration |
Cultural representation of cangaço.
|
| gptkbp:inspired_by |
Real-life cangaceiros.
|
| gptkbp:language |
gptkb:Portuguese
|
| gptkbp:language_spoken |
Rich in regional dialect.
|
| gptkbp:legacy |
Influenced future Brazilian cinema.
|
| gptkbp:music_composer |
gptkb:Luiz_Bonfá
|
| gptkbp:narrative_style |
Mix of realism and folklore.
|
| gptkbp:notable_actor |
gptkb:Jorge_Amado
gptkb:Zezé_Motta gptkb:Milton_Ribeiro |
| gptkbp:notable_scene |
The final showdown.
|
| gptkbp:performance |
Based on historical events.
|
| gptkbp:plot |
The story revolves around cangaceiros, bandits in the Brazilian hinterlands.
|
| gptkbp:production_company |
Produções Cinematográficas Vera Cruz.
|
| gptkbp:production_years |
1953
|
| gptkbp:release_date |
1953-08-15
|
| gptkbp:release_year |
1953
|
| gptkbp:remake |
Remade in later years.
|
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenplay |
gptkb:Lima_Barreto
|
| gptkbp:setting |
Northeast Brazil.
|
| gptkbp:soundtrack |
Features traditional Brazilian music.
|
| gptkbp:symbolism |
Cangaceiros as symbols of freedom.
|
| gptkbp:themes |
Rebellion, justice, and survival.
|
| gptkbp:bfsParent |
gptkb:Joaquim_Pedro_de_Andrade
|
| gptkbp:bfsLayer |
5
|