|
gptkbp:instance_of
|
gptkb:spacecraft
gptkb:novel
gptkb:film
gptkb:character
|
|
gptkbp:academic_programs
|
gptkb:Ash
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:theater
gptkb:film
|
|
gptkbp:adaptations
|
gptkb:film_adaptation
gptkb:radio_station
gptkb:stage_adaptation
gptkb:film
|
|
gptkbp:appears_in
|
gptkb:Heart_of_Darkness
|
|
gptkbp:author
|
gptkb:Joseph_Conrad
|
|
gptkbp:awards
|
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
gptkb:BAFTA_Award_for_Best_Film_Editing
gptkb:Academy_Award_for_Best_Visual_Effects
|
|
gptkbp:based_on
|
Nostromo (novel)
|
|
gptkbp:box_office
|
$700 million
|
|
gptkbp:bridge_location
|
upper deck
|
|
gptkbp:budget
|
$50 million
|
|
gptkbp:captain
|
gptkb:Dallas
|
|
gptkbp:cargo_capacity
|
70,000 tons
|
|
gptkbp:cargo_types
|
large
automated cranes
|
|
gptkbp:character
|
gptkb:Don_José
gptkb:Giorgio
Mister Decoud
Mrs. Gould
Nostromo (the ship)
the native population
|
|
gptkbp:cinematography_by
|
gptkb:Emmanuel_Lubezki
|
|
gptkbp:communication_system
|
subspace radio
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:created_by
|
gptkb:Joseph_Conrad
|
|
gptkbp:crew
|
gptkb:Dallas
gptkb:Lambert
gptkb:Ripley
gptkb:Ash
gptkb:Brett
gptkb:Parker
gptkb:Jonesy
gptkb:Kane
2
seven
shared
basic survival training
|
|
gptkbp:crew_capacity
|
gptkb:7
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced art and literature
inspired discussions on colonialism
inspired discussions on imperialism
inspired discussions on capitalism
iconic status in sci-fi
|
|
gptkbp:defense_mechanism
|
gptkb:none
|
|
gptkbp:design
|
modified Nostromo-class
|
|
gptkbp:design_influence
|
inspired future sci-fi ships
|
|
gptkbp:director
|
gptkb:Alfonso_Cuarón
|
|
gptkbp:docking_system
|
standard docking port
|
|
gptkbp:edited_by
|
gptkb:Alfonso_Cuarón
|
|
gptkbp:emergency_services
|
self-destruct
|
|
gptkbp:engine_type
|
fusion drive
|
|
gptkbp:executive_officer
|
gptkb:Kane
|
|
gptkbp:fate
|
destroyed
self-destructed
|
|
gptkbp:features
|
gptkb:narrative_structure
gptkb:visual_effects
gptkb:sound_design
gptkb:character_development
gptkb:communication
gptkb:AI_technology
conflict resolution
survival themes
metaphors
symbolism
moral dilemmas
space travel
character arcs
visual storytelling
philosophical questions
emotional resonance
cultural commentary
human exploration
alien life forms
psychological tension
thematic depth
climactic moments
dramatic tension
character relationships
climactic confrontation
narrative twists
mysterious artifacts
visual motifs
sequel potential
cinematic score
resolution themes
epilogue
suspenseful sequences
|
|
gptkbp:film_series
|
gptkb:Alien_franchise
|
|
gptkbp:first_appearance
|
gptkb:Alien_(1979_film)
1904
|
|
gptkbp:followed_by
|
gptkb:The_Secret_Agent
|
|
gptkbp:follows
|
a group of astronauts
|
|
gptkbp:genre
|
gptkb:science_fiction
gptkb:novel
adventure fiction
|
|
gptkbp:has_conflict_with
|
various characters in the novel
|
|
gptkbp:has_influence_on
|
literature and film
|
|
gptkbp:has_role
|
foreman
|
|
gptkbp:height
|
56 meters
56.4 meters
|
|
gptkbp:home_port
|
gptkb:Earth
Thedus
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Nostromo
|
|
gptkbp:influence
|
gptkb:literature
modern literature
postcolonial studies
|
|
gptkbp:influenced
|
gptkb:film_industry
gptkb:literature
postcolonial studies
|
|
gptkbp:influenced_by
|
gptkb:Heart_of_Darkness
|
|
gptkbp:interior_features
|
industrial
|
|
gptkbp:is_a
|
gptkb:spacecraft
gptkb:protagonist
|
|
gptkbp:is_a_destination_for
|
gptkb:LV-426
|
|
gptkbp:is_analyzed_in
|
literary studies
|
|
gptkbp:is_associated_with
|
the fictional South American country of Costaguana
|
|
gptkbp:is_connected_to
|
the story of greed and corruption
|
|
gptkbp:is_considered_as
|
a significant literary character
|
|
gptkbp:is_described_as
|
a complex character
|
|
gptkbp:is_explored_in
|
critical essays
|
|
gptkbp:is_featured_in
|
gptkb:film_adaptations
|
|
gptkbp:is_known_for
|
being a silver mine
|
|
gptkbp:is_part_of
|
gptkb:Alien_franchise
Nostromo (novel)
|
|
gptkbp:is_portrayed_as
|
various actors in adaptations
|
|
gptkbp:is_related_to
|
themes of imperialism and capitalism
|
|
gptkbp:is_represented_in
|
a tragic figure
|
|
gptkbp:is_set_in
|
outer space
the late 19th century
|
|
gptkbp:is_symbolic_of
|
colonial exploitation
|
|
gptkbp:isbn
|
978-0141441500
|
|
gptkbp:language
|
English
|
|
gptkbp:launch_date
|
2122-03-02
|
|
gptkbp:launched
|
2122
|
|
gptkbp:launched_in
|
2122
|
|
gptkbp:legacy
|
influential in horror genre
considered a classic
studied in universities
adapted into various media
influenced modern writers
|
|
gptkbp:length
|
234 meters
243.5 meters
|
|
gptkbp:life_support_system
|
gptkb:standard
|
|
gptkbp:main_character
|
gptkb:Charles_Gould
|
|
gptkbp:maintenance
|
hatches
|
|
gptkbp:manufacturer
|
gptkb:Weyland-Yutani_Corporation
|
|
gptkbp:mission
|
retrieve alien life form
|
|
gptkbp:model
|
gptkb:M-Class
gptkb:USCSS_Nostromo
|
|
gptkbp:music_by
|
gptkb:Steven_Price
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:navigation_system
|
gptkb:Racing
|
|
gptkbp:navigator
|
gptkb:Lambert
|
|
gptkbp:notable_character
|
gptkb:Dallas
gptkb:Lambert
gptkb:Ellen_Ripley
gptkb:Ash
gptkb:Brett
gptkb:Parker
gptkb:Kane
|
|
gptkbp:notable_characters
|
gptkb:Charles_Gould
gptkb:Giorgio_Viola
Mrs. Gould
Don Jose Avellanos
Nostromo (the character)
|
|
gptkbp:notable_event
|
Encounter with Xenomorph
encounter with Xenomorph
|
|
gptkbp:notable_feature
|
Mother computer
|
|
gptkbp:notable_mission
|
gptkb:LV-426
|
|
gptkbp:notable_quote
|
" The sea was a great, grey, and empty expanse."
" The world is a place of shadows and illusions."
" It is the fate of the man who has been a slave to his own desires."
|
|
gptkbp:notable_technology
|
gptkb:bridge
gptkb:Medical_bay
gptkb:Narcissus_escape_pod
gptkb:observation_deck
Fire suppression system
Life support systems
Navigation systems
Propulsion systems
Galley
Radiation shielding
Surveillance systems
Waste management system
Thermal control systems
Crew quarters
Cargo hold
Environmental control system
Emergency beacon
Emergency systems
Power distribution system
Recycling systems
Communications array
Escape hatch
Maintenance access
Hydroponics bay
Cryogenic sleep chambers
Sensors and scanners
Artificial gravity system
Atmospheric processing system
Cargo loading system
Cargo manifest system
Docking clamps
Hull integrity systems
Towing mechanism
|
|
gptkbp:operated_by
|
gptkb:Weyland-Yutani_Corporation
commercial towing vehicle
|
|
gptkbp:operational_area
|
Outer Space
|
|
gptkbp:owner
|
gptkb:Weyland-Yutani_Corporation
|
|
gptkbp:page_count
|
approximately 320
|
|
gptkbp:power_output
|
maximum 10 megawatts
|
|
gptkbp:preceded_by
|
gptkb:The_Nigger_of_the_'_Narcissus'
|
|
gptkbp:primary_function
|
mining
towing
towing and transport
|
|
gptkbp:produced_by
|
gptkb:Alfonso_Cuarón
|
|
gptkbp:propulsion
|
ion thrusters
|
|
gptkbp:protagonist
|
gptkb:Nostromo
|
|
gptkbp:published
|
1904
|
|
gptkbp:publisher
|
gptkb:William_Heinemann
gptkb:William_Blackwood_and_Sons
|
|
gptkbp:release_year
|
gptkb:2013
|
|
gptkbp:screenplay_by
|
gptkb:Alfonso_Cuarón
|
|
gptkbp:sensor
|
long-range scanners
|
|
gptkbp:set_in
|
outer space
|
|
gptkbp:setting
|
gptkb:South_America
|
|
gptkbp:starring
|
gptkb:George_Clooney
gptkb:Jessica_Chastain
gptkb:Kathy_Bates
gptkb:Ed_Harris
gptkb:Sandra_Bullock
|
|
gptkbp:status
|
destroyed
|
|
gptkbp:symbolism
|
gptkb:wealth
gptkb:gold
human greed
colonial exploitation
Nostromo (the ship)
|
|
gptkbp:theme
|
gptkb:colonialism
capitalism
imperialism
|
|
gptkbp:themes
|
capitalism
imperialism
human greed
|
|
gptkbp:turbine_type
|
gptkb:fusion
|
|
gptkbp:type
|
commercial towing vehicle
|
|
gptkbp:width
|
78 meters
78.8 meters
|
|
gptkbp:bfsParent
|
gptkb:Joseph_Conrad
gptkb:Ash
gptkb:Mother
gptkb:Alien
|
|
gptkbp:bfsLayer
|
4
|