Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adapted_into |
gptkb:film
|
| gptkbp:awards |
gptkb:Tony_Award_for_Best_Play
|
| gptkbp:characters |
gptkb:Brooke_Ashton
gptkb:Dotty_Otley gptkb:Frederick_Fellowes gptkb:Garry_Lejeune gptkb:Lloyd_Dallas gptkb:Mrs._Clackett gptkb:Poppy_Norton-Taylor gptkb:Selsdon_Mowbray gptkb:Tim_Allgood |
| gptkbp:critical_reception |
acclaimed
popular among audiences |
| gptkbp:cultural_impact |
considered a classic
inspired scholarly analysis influenced comedic writing influenced physical comedy performed in theater festivals influenced character development in comedies influenced comedic timing in theater influenced ensemble acting techniques influenced the structure of modern comedies influenced the use of props in comedy often studied in theater courses influenced the portrayal of backstage life in theater |
| gptkbp:directed_by |
Peter Bogdanovich (film)
|
| gptkbp:features |
three acts
|
| gptkbp:follows |
a group of actors
|
| gptkbp:genre |
farce
|
| https://www.w3.org/2000/01/rdf-schema#label |
Noises Off
|
| gptkbp:influenced |
subsequent farces
|
| gptkbp:influenced_by |
theater comedies
|
| gptkbp:inspired |
stage productions
international performances numerous adaptations |
| gptkbp:language |
English
|
| gptkbp:notable_for |
its play-within-a-play structure
|
| gptkbp:notable_production |
gptkb:West_End
gptkb:Broadway |
| gptkbp:premiered_on |
gptkb:1982
|
| gptkbp:release_year |
gptkb:1992
|
| gptkbp:setting |
gptkb:theater
|
| gptkbp:style |
metatheatre
|
| gptkbp:themes |
miscommunication
relationships theatrical chaos |
| gptkbp:written_by |
gptkb:Michael_Frayn
|
| gptkbp:bfsParent |
gptkb:Peter_Bogdanovich
|
| gptkbp:bfsLayer |
4
|