|
gptkbp:instanceOf
|
traditional Japanese performing art
|
|
gptkbp:audienceSeating
|
on three sides of stage
|
|
gptkbp:characterizedBy
|
stylized movement
musical accompaniment
use of masks
choral chanting
minimalist stage design
|
|
gptkbp:costume
|
elaborate silk robes
|
|
gptkbp:costumeMakers
|
specialized artisans
|
|
gptkbp:developedBy
|
14th century
|
|
gptkbp:founder
|
gptkb:Kan'ami
|
|
gptkbp:frequency
|
regularly performed in Japan
|
|
gptkbp:governingBody
|
gptkb:Nohgaku_Performers'_Association
|
|
gptkbp:hasSchool
|
gptkb:Kita
gptkb:Hōshō
gptkb:Kanze
gptkb:Komparu
gptkb:Kongō
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Noh Theatre
|
|
gptkbp:influenced
|
modern Japanese theatre
Western avant-garde theatre
|
|
gptkbp:influencedBy
|
gptkb:Buddhism
Shinto rituals
|
|
gptkbp:languageOfPerformance
|
Japanese
|
|
gptkbp:mask
|
wooden masks
|
|
gptkbp:maskMakers
|
specialized artisans
|
|
gptkbp:musicalInstrumentsUsed
|
gptkb:saxophone
drums
|
|
gptkbp:notableContributor
|
gptkb:Takasago
gptkb:Kan'ami_Kiyotsugu
gptkb:Zeami_Motokiyo
gptkb:Atsumori
gptkb:Dojoji
gptkb:Izutsu
gptkb:Sumidagawa
|
|
gptkbp:notableFor
|
gptkb:Zeami
|
|
gptkbp:numberOfTracks
|
over 200 surviving plays
|
|
gptkbp:originatedIn
|
gptkb:Japan
|
|
gptkbp:performanceContext
|
30 minutes to several hours
|
|
gptkbp:primaryUse
|
gptkb:ai-kyogen
shite
waki
kyogen
tsure
|
|
gptkbp:relatedTo
|
gptkb:Bunraku
gptkb:Kyogen
gptkb:Kabuki
|
|
gptkbp:stageShape
|
square stage with bridgeway
|
|
gptkbp:theme
|
gptkb:historical_event
human suffering
supernatural
moral lessons
|
|
gptkbp:trainer
|
gptkb:school
|
|
gptkbp:transmission
|
hereditary schools
|
|
gptkbp:UNESCOWorldHeritageSite
|
2008
|
|
gptkbp:bfsParent
|
gptkb:Noh_Stage
gptkb:Sado,_Niigata_Prefecture,_Japan
|
|
gptkbp:bfsLayer
|
7
|