|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:The_Angels
|
|
gptkbp:adaptation
|
gptkb:theatre
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:based_on
|
No Exit (play)
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
Estelle
Inès
Garcin
the three main characters.
|
|
gptkbp:character_development
|
psychological exploration
|
|
gptkbp:cinematography
|
gptkb:Roger_Pratt
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
philosophical discussions
|
|
gptkbp:directed_by
|
gptkb:Terry_Gilliam
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Julian_Doyle
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_1980
|
|
gptkbp:film_score
|
Philip Glass score
|
|
gptkbp:film_series
|
standalone
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:collection
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
No Exit (1980)
|
|
gptkbp:influenced
|
subsequent adaptations
modern existential films.
|
|
gptkbp:influenced_by
|
gptkb:Jean-Paul_Sartre
gptkb:absurdism
|
|
gptkbp:inspired_by
|
No Exit (play)
|
|
gptkbp:is_critical_for
|
existential themes
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Philip_Glass
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_quote
|
" Hell is other people."
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Terry_Gilliam
|
|
gptkbp:production_company
|
gptkb:Handmade_Films
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1980
|
|
gptkbp:remake
|
gptkb:No_Exit_(2020)
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
limited release
|
|
gptkbp:screenplay_by
|
gptkb:Terry_Gilliam
|
|
gptkbp:setting
|
hell
|
|
gptkbp:starring
|
gptkb:Harvey_Keitel
gptkb:Anna_Karina
gptkb:John_Hurt
|
|
gptkbp:theme
|
gptkb:existentialism
|