Statements (26)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:person
|
| gptkbp:dateOfBirth |
1932
|
| gptkbp:fieldOfWork |
gptkb:film
cinema studies |
| https://www.w3.org/2000/01/rdf-schema#label |
Noël Burch
|
| gptkbp:influenced |
film studies
|
| gptkbp:influencedBy |
gptkb:André_Bazin
gptkb:Sergei_Eisenstein |
| gptkbp:knownFor |
concept of Institutional Mode of Representation
|
| gptkbp:language |
gptkb:French
English |
| gptkbp:nationality |
gptkb:American
|
| gptkbp:notableWork |
Theory of Film Practice
|
| gptkbp:occupation |
gptkb:film_director
literary criticism |
| gptkbp:residence |
gptkb:France
|
| gptkbp:spouse |
Geneviève Burch
|
| gptkbp:taughtAt |
gptkb:Institut_des_hautes_études_cinématographiques
Université de Paris III (Sorbonne Nouvelle) |
| gptkbp:wrote |
La lucarne de l'infini
Le pacte autobiographique au cinéma Life to Those Shadows Theory of Film Practice To the Distant Observer: Form and Meaning in the Japanese Cinema |
| gptkbp:bfsParent |
gptkb:Jean_Narboni
|
| gptkbp:bfsLayer |
6
|