|
gptkbp:instance_of
|
gptkb:opera
|
|
gptkbp:adaptation
|
gptkb:ballet
|
|
gptkbp:based_on
|
Richard Nixon's 1972 visit to China
|
|
gptkbp:composer
|
gptkb:John_Adams
|
|
gptkbp:critical_reception
|
acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:first_performance
|
gptkb:1987
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Nixon in China (2000)
|
|
gptkbp:influenced
|
modern opera
|
|
gptkbp:influenced_by
|
gptkb:American_history
Chinese history
minimalism
|
|
gptkbp:language
|
English
|
|
gptkbp:librettist
|
gptkb:Alice_Goodman
|
|
gptkbp:notable_character
|
gptkb:Pat_Nixon
gptkb:Chou_En-lai
gptkb:Henry_Nixon
gptkb:Mao_Zedong
|
|
gptkbp:notable_production
|
gptkb:English_National_Opera
gptkb:Santa_Fe_Opera
gptkb:opera
|
|
gptkbp:notable_themes
|
gptkb:cultural_identity
gptkb:artistic_legacy
gptkb:satire
gptkb:historical_context
gptkb:historical_fiction
gptkb:identity
gptkb:memory
gptkb:political_theory
East-West relations
artistic expression
cultural significance
dramatic irony
social commentary
emotional depth
human experience
power dynamics
cultural impact
artistic innovation
cultural dialogue
historical reflection
political significance
cultural critique
artistic significance
social significance
dramatic tension
|
|
gptkbp:number_of_acts
|
gptkb:3
|
|
gptkbp:performance
|
performed worldwide
|
|
gptkbp:premiere_date
|
gptkb:1987
|
|
gptkbp:premiere_location
|
gptkb:San_Francisco_Opera
|
|
gptkbp:record_label
|
gptkb:Nonesuch_Records
|
|
gptkbp:thematic_element
|
gptkb:cultural_exchange
gptkb:politics
gptkb:diplomatic_relations
|
|
gptkbp:bfsParent
|
gptkb:Peter_Sellars
|
|
gptkbp:bfsLayer
|
4
|