|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film
gptkb:stage_play
film noir
|
|
gptkbp:adaptation_year
|
gptkb:1992
gptkb:2000
|
|
gptkbp:author
|
gptkb:Joan_Didion
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
gptkb:Night_and_the_City_(1950_film)
novel by Gerald Kersh
|
|
gptkbp:box_office
|
$1.5 million
$10 million
|
|
gptkbp:budget
|
$50 million
|
|
gptkbp:character
|
gptkb:Harry_Fabian
gptkb:Mary_Bristol
gptkb:The_Child
gptkb:The_Informer
gptkb:The_Journalist
gptkb:The_Old_Man
gptkb:The_Waiter
gptkb:The_Waitress
gptkb:The_Doctor
gptkb:The_Wrestler
gptkb:The_Detective
gptkb:Gordon_Scott
gptkb:The_Old_Woman
gptkb:The_Young_Woman
The Bystander
The Bouncer
The Thug
The Bystander's Friend
The Gangster
The Street Performer
The Street Vendor
The Police Inspector
The Bar Owner
The Street Artist
The Street Magician
The Street Musician
The Bookmaker
The Pedestrian
Mr. D' Angelo
The Promoter
Phil Nosseross
The Rival Promoter
The Street Vendor's Acquaintance
The Street Vendor's Assistant
The Street Vendor's Associate
The Street Vendor's Colleague
The Street Vendor's Customer
The Street Vendor's Employee
The Street Vendor's Family
The Street Vendor's Friend
The Street Vendor's Friend's Acquaintance
The Street Vendor's Friend's Associate
The Street Vendor's Friend's Colleague
The Street Vendor's Friend's Employee
The Street Vendor's Friend's Family
The Street Vendor's Friend's Neighbor
The Street Vendor's Friend's Partner
The Street Vendor's Friend's Rival
The Street Vendor's Neighbor
The Street Vendor's Partner
The Street Vendor's Rival
The Wrestler's Manager
|
|
gptkbp:character_arc
|
self-destruction
redemption arc
downward spiral
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_motivation
|
desire for power
desire for wealth
desire for respect
|
|
gptkbp:cinematography
|
gptkb:Max_Greene
|
|
gptkbp:cinematography_by
|
gptkb:Michael_Ballhaus
|
|
gptkbp:conflict
|
internal conflict
external conflict
struggle for success
|
|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:critical_reception
|
cult classic
mixed
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced later crime novels
influenced later crime films.
|
|
gptkbp:director
|
gptkb:Jules_Dassin
gptkb:Irwin_Winkler
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Dave_Brenner
|
|
gptkbp:editing
|
gptkb:James_B._Clark
|
|
gptkbp:ended
|
tragic
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Dimitri_Tiomkin
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:filming_location
|
gptkb:New_York_City
|
|
gptkbp:genre
|
gptkb:drama
gptkb:detective_fiction
gptkb:crime
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
gptkb:1993
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Night and the City
|
|
gptkbp:influence
|
inspired artists
inspired writers
inspired filmmakers
|
|
gptkbp:influenced_by
|
noir fiction
real-life experiences
|
|
gptkbp:influences
|
film noir
|
|
gptkbp:inspiration
|
The London underworld
|
|
gptkbp:isbn
|
978-0-307-74056-0
|
|
gptkbp:language
|
English
|
|
gptkbp:motif
|
the city as a character
|
|
gptkbp:music
|
gptkb:Dimitri_Tiomkin
|
|
gptkbp:music_by
|
gptkb:Elmer_Bernstein
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_scene
|
The wrestling match scene.
|
|
gptkbp:notable_themes
|
gptkb:betrayal
ambition
desperation
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
A hustler's rise and fall in the London underworld.
A hustler in New York City tries to make it big in the world of professional wrestling.
|
|
gptkbp:plot_point
|
descent into chaos
betrayal by friends
crime gone wrong
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
|
|
gptkbp:protagonist
|
gptkb:Harry_Fabian
|
|
gptkbp:published_year
|
gptkb:1956
|
|
gptkbp:publisher
|
gptkb:Viking_Press
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
emotional impact
engaging
thought-provoking
|
|
gptkbp:release_date
|
October 9, 1992
April 1950
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1992
1950
|
|
gptkbp:remake
|
gptkb:Night_and_the_City_(1950_film)
Night and the City (1992)
|
|
gptkbp:role
|
gptkb:antagonist
gptkb:supporting_character
|
|
gptkbp:runtime
|
104 minutes
95 minutes
|
|
gptkbp:screenplay
|
gptkb:Jules_Dassin
|
|
gptkbp:screenplay_by
|
gptkb:Jeb_Stuart
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:setting_time
|
post-war era
|
|
gptkbp:soundtrack
|
gptkb:Night_and_the_City_(soundtrack)
|
|
gptkbp:starring
|
gptkb:Angelica_Huston
gptkb:Jessica_Lange
gptkb:Googie_Withers
gptkb:Robert_De_Niro
gptkb:Gene_Tierney
gptkb:John_Hurt
gptkb:Richard_Widmark
gptkb:Francis_L._Sullivan
|
|
gptkbp:symbolism
|
darkness
the city
|
|
gptkbp:thematic_element
|
gptkb:moral_ambiguity
the American Dream
urban isolation
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:moral_ambiguity
gptkb:crime
ambition
desperation
|
|
gptkbp:writing_style
|
vivid imagery
sparse prose
|
|
gptkbp:bfsParent
|
gptkb:Jules_Dassin
|
|
gptkbp:bfsLayer
|
4
|