Statements (95)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art movement
|
| gptkbp:alsoKnownAs |
gptkb:New_Objectivity
|
| gptkbp:characteristic |
realism
social criticism detachment objectivity focus on everyday life |
| gptkbp:countryOfOrigin |
gptkb:Germany
|
| gptkbp:dissolved |
1933
|
| gptkbp:genre |
gptkb:architecture
gptkb:literature gptkb:music gptkb:painting photography |
| https://www.w3.org/2000/01/rdf-schema#label |
Neue Sachlichkeit (1925)
|
| gptkbp:influenced |
gptkb:Magic_Realism
gptkb:Social_Realism Postwar German art |
| gptkbp:influencedBy |
gptkb:Dada
gptkb:Expressionism |
| gptkbp:mainPeriod |
gptkb:Weimar_Republic
|
| gptkbp:notableArtist |
gptkb:Ernst_Ludwig_Kirchner
gptkb:George_Grosz gptkb:Ernst_Barlach gptkb:Hans_Grundig gptkb:Max_Beckmann gptkb:Otto_Dix gptkb:Christian_Schad gptkb:Rudolf_Schlichter gptkb:Hans_Baluschek gptkb:August_Sander gptkb:Albert_Birkle gptkb:Anton_Räderscheidt gptkb:Conrad_Felixmüller gptkb:Elfriede_Lohse-Wächtler gptkb:Franz_Radziwill gptkb:Georg_Schrimpf gptkb:Gert_Wollheim gptkb:Heinrich_Hoerle gptkb:Heinrich_Maria_Davringhausen gptkb:Jeanne_Mammen gptkb:Karl_Hubbuch gptkb:Lotte_Laserstein gptkb:Richard_Oelze gptkb:Wilhelm_Schnarrenberger gptkb:Hannah_Höch gptkb:Alexander_Kanoldt Carl Grossberg Ernst Fritsch Ernst Neuschul Franz Lenk Georg Scholz Grethe Jürgens Margarete Schall Rudolf Dischinger Wilhelm Heise |
| gptkbp:notableExhibit |
Kunsthalle Mannheim 1925
|
| gptkbp:notableWork |
gptkb:Metropolis_(Otto_Dix)
gptkb:Pillars_of_Society_(George_Grosz) gptkb:Self-Portrait_with_Model_(Christian_Schad) gptkb:The_Skat_Players_(Otto_Dix) gptkb:Cut_with_the_Kitchen_Knife_(Hannah_Höch) gptkb:Portrait_of_the_Journalist_Sylvia_von_Harden At the Shooting Gallery (Jeanne Mammen) Self-Portrait (Elfriede Lohse-Wächtler) Self-Portrait (Ernst Ludwig Kirchner) Self-Portrait with a Cat (Lotte Laserstein) Still Life with Cactus (Alexander Kanoldt) The Acrobat (Albert Birkle) The Bridge (Rudolf Dischinger) The Chess Players (Ernst Neuschul) The City (Franz Lenk) The Cyclist (Anton Räderscheidt) The Dancer (Ernst Fritsch) The Dream (Richard Oelze) The Drinker (Georg Scholz) The Engineer (Wilhelm Heise) The Factory (Carl Grossberg) The Family (Heinrich Hoerle) The Lovers (Georg Schrimpf) The Night (Max Beckmann) The Poet I (August Sander) The Prisoner (Hans Grundig) The Profiteer (Heinrich Maria Davringhausen) The Railwayman (Hans Baluschek) The Reader (Ernst Barlach) The Red Tower (Franz Radziwill) The Seamstress (Margarete Schall) The Street (Karl Hubbuch) The Unemployed (Gert Wollheim) The Unemployed (Grethe Jürgens) Portrait of the Painter Conrad Felixmüller (Wilhelm Schnarrenberger) |
| gptkbp:startDate |
1925
|
| gptkbp:bfsParent |
gptkb:Gustav_Hartlaub
|
| gptkbp:bfsLayer |
7
|