|
gptkbp:instanceOf
|
art movement
|
|
gptkbp:artwork
|
gptkb:collaboration
social commentary
playfulness
irony
anti-art
|
|
gptkbp:associatedWith
|
gptkb:Jasper_Johns
gptkb:Robert_Rauschenberg
|
|
gptkbp:characterizedBy
|
collage techniques
use of found objects
|
|
gptkbp:criticism
|
rejection of traditional aesthetics
commercialization of art
|
|
gptkbp:culturalHeritage
|
gptkb:post-World_War_II_America
Cold War era
consumer culture
|
|
gptkbp:exhibits
|
gptkb:The_Museum_of_Modern_Art
gptkb:The_Judson_Church
gptkb:The_Leo_Castelli_Gallery
The Stable Gallery
The Green Gallery
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Neo-Dada
|
|
gptkbp:influenced
|
performance art
installation art
conceptual art
|
|
gptkbp:influencedBy
|
Dadaism
|
|
gptkbp:introduced
|
1950s
|
|
gptkbp:legacy
|
influence on contemporary art
influence on installation art
influence on street art
|
|
gptkbp:notableArtists
|
gptkb:George_Segal
gptkb:Allan_Kaprow
gptkb:Marcel_Duchamp
gptkb:Robert_Whitman
Claes Oldenburg
|
|
gptkbp:notableFeature
|
The 1964 New York World's Fair
The_Museum_of_Modern_Art_exhibitions
|
|
gptkbp:notableWork
|
gptkb:Soft_Toilet
Bed
Erased de Kooning Drawing
The Store
Happenings
Fountain (1917) by Duchamp
|
|
gptkbp:originatedIn
|
gptkb:United_States
|
|
gptkbp:relatedTo
|
Pop Art
|
|
gptkbp:technique
|
mixed media
assemblage
ready-mades
|