Statements (279)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
gptkb:play gptkb:film |
| gptkbp:adaptation |
gptkb:musical
gptkb:ballet gptkb:television_series gptkb:theatre gptkb:Native_Son_(2019) gptkb:1986 gptkb:graphic_novel gptkb:opera gptkb:book gptkb:play gptkb:film film adaptation of a novel 2019 film adaptation novel by Richard Wright Native Son (1941) 2014 stage adaptation |
| gptkbp:adapted_into |
gptkb:musical
gptkb:theatre gptkb:graphic_novel gptkb:opera gptkb:film various playwrights |
| gptkbp:author |
gptkb:Richard_Wright
|
| gptkbp:awards |
gptkb:none
National Book Award nomination |
| gptkbp:based_on |
gptkb:novel
novel by Richard Wright |
| gptkbp:box_office |
gptkb:unknown
|
| gptkbp:cast |
gptkb:Jerome_Benton
gptkb:Victor_Love |
| gptkbp:character |
gptkb:Bigger_Thomas
gptkb:Mary_Dalton Bessie Mears Bigger's father Bigger's mother Jan Erlone Mr. Dalton Bigger's family Bigger's friends |
| gptkbp:character_development |
gptkb:Bigger_Thomas
gptkb:Mary_Dalton Bessie Mears Jan Erlone Mr. Dalton |
| gptkbp:cinematography |
gptkb:John_Alton
|
| gptkbp:color |
black and white
|
| gptkbp:conflict |
internal conflict
social conflict |
| gptkbp:contains |
graphic violence
profanity sexual content |
| gptkbp:controversy |
gptkb:political_movement
depiction of violence depiction of race |
| gptkbp:country |
gptkb:United_States
|
| gptkbp:critical_reception |
controversial
mixed mixed reviews |
| gptkbp:cultural_impact |
gptkb:significant
gptkb:literary_work academic studies popular culture references discussions on race relations influenced civil rights movement |
| gptkbp:cultural_references |
inspired art
referenced in music mentioned in popular culture influenced other works of literature discussed in films |
| gptkbp:cultural_significance |
gptkb:political_movement
American literature high school curriculum featured in documentaries race relations translated into multiple languages influenced writers depicts urban life challenges societal norms adapted into various media discussed in media reflects on the American Dream inspired discussions on race explores systemic racism studied in literary criticism examined in psychological studies analyzed in sociology courses college literature courses depicts the American Dream examines social injustice influenced civil rights activists addresses issues of class and race |
| gptkbp:depicts |
gptkb:festival
gptkb:betrayal gptkb:survival gptkb:Police_Department gptkb:Community_Center alienation violence fear poverty disillusionment family dynamics social injustice identity crisis |
| gptkbp:director |
gptkb:Tate_Taylor
|
| gptkbp:discusses |
gptkb:American_Dream
class struggle systemic racism economic disparity marginalization personal agency |
| gptkbp:distributor |
gptkb:United_Artists
|
| gptkbp:edited_by |
gptkb:Robert_L._Simpson
|
| gptkbp:explores |
alienation
systemic racism violence fear social injustice the American Dream guilt fear and paranoia |
| gptkbp:film_festival |
gptkb:film_festival
|
| gptkbp:filming_location |
gptkb:Chicago,_Illinois
|
| gptkbp:filmography |
gptkb:Native_Son_(1986)
gptkb:Native_Son_(2019) |
| gptkbp:first_performance |
1941
|
| gptkbp:followed_by |
gptkb:Black_Boy
gptkb:film |
| gptkbp:genre |
gptkb:High_School
social criticism |
| gptkbp:has |
multiple adaptations
|
| https://www.w3.org/2000/01/rdf-schema#label |
Native Son
|
| gptkbp:impact |
gptkb:political_movement
|
| gptkbp:influence |
gptkb:political_movement
African American literature |
| gptkbp:influenced |
gptkb:musical
gptkb:Colson_Whitehead gptkb:philosopher gptkb:physicist gptkb:political_movement gptkb:theatre gptkb:Toni_Morrison gptkb:education gptkb:James_Baldwin gptkb:newspaper gptkb:American_theater gptkb:psychologist gptkb:literary_work gptkb:artwork African American literature history public policy ethics political discourse academic studies community organizing cultural studies modern literature film noir social justice movements subsequent authors subsequent African American authors subsequent films on race |
| gptkbp:influenced_by |
gptkb:Harlem_Renaissance
|
| gptkbp:influences |
gptkb:Harlem_Renaissance
African American literature |
| gptkbp:inspiration |
gptkb:political_movement
gptkb:Great_Migration racial discrimination Chicago's history the Great Migration urban poverty Richard Wright's life Wright's own experiences |
| gptkbp:inspired |
gptkb:political_movement
gptkb:artwork gptkb:charity |
| gptkbp:is |
a significant work in American theater
a significant work in American literature a significant work in African American literature |
| gptkbp:is_available_in |
audiobook format
ebook format |
| gptkbp:is_considered |
a classic of American literature
|
| gptkbp:is_critical_for |
gptkb:historical_event
gptkb:moral_ambiguity gptkb:book social commentary psychological depth analyzed for its themes discussed in academia interpreted through various lenses studied for its characters |
| gptkbp:is_discussed_in |
gptkb:literary_work
academic studies |
| gptkbp:is_evaluated_by |
gptkb:theorem
|
| gptkbp:is_referenced_in |
films and media
other literary works |
| gptkbp:is_studied_in |
high school curricula
university literature courses |
| gptkbp:isbn |
978-0060837563
978-0-06-114850-4 |
| gptkbp:language |
English
|
| gptkbp:legacy |
adapted into various media
studied in schools influential novel |
| gptkbp:literary_devices |
gptkb:literary_work
stream of consciousness symbolism imagery irony foreshadowing flashback |
| gptkbp:main_character |
gptkb:Bigger_Thomas
|
| gptkbp:music |
gptkb:Ralph_Burns
|
| gptkbp:narrative_style |
realism
third-person social realism third-person limited limited omniscient |
| gptkbp:next_edition |
gptkb:1940
|
| gptkbp:notable_character |
gptkb:Mary_Dalton
Bessie Mears Jan Erlone Mr. Dalton Bigger's Mother |
| gptkbp:notable_quote |
“ I am not a man.”
|
| gptkbp:page_count |
gptkb:368
432 approximately 400 |
| gptkbp:performed_by |
various theaters
|
| gptkbp:plot |
Bigger's crime
Bigger's escape Bigger's trial |
| gptkbp:portrayed_by |
African American experience
|
| gptkbp:premiere |
gptkb:Borough
|
| gptkbp:premiered_on |
gptkb:University_of_Chicago
|
| gptkbp:production_company |
gptkb:Columbia_Pictures
|
| gptkbp:published_by |
gptkb:1940
gptkb:Harper_&_Brothers |
| gptkbp:publisher |
gptkb:Harper_&_Brothers
|
| gptkbp:received |
critical acclaim
|
| gptkbp:release_date |
1951
|
| gptkbp:release_format |
theatrical
|
| gptkbp:runtime |
100 minutes
|
| gptkbp:screenings |
limited release
|
| gptkbp:screenplay_by |
gptkb:Richard_Wright
|
| gptkbp:set_in |
gptkb:Chicago
|
| gptkbp:setting |
gptkb:Chicago
1930s America |
| gptkbp:significance |
explores systemic racism
examines the concept of freedom addresses the consequences of violence depicts the struggles of African Americans highlights social injustice |
| gptkbp:starring |
gptkb:Wright_Morris
gptkb:Sidney_Poitier Ruth Attaway |
| gptkbp:style |
expressionism
naturalism |
| gptkbp:symbolism |
gptkb:the_South_Side_of_Chicago
the fire the car the rat |
| gptkbp:theme |
gptkb:TV_series
poverty race relations |
| gptkbp:themes |
gptkb:TV_series
gptkb:species poverty |
| gptkbp:translated_into |
multiple languages
|
| gptkbp:tutorials |
gptkb:stock_market_index
|
| gptkbp:viewing_platform |
black and white film
|
| gptkbp:written_by |
gptkb:Richard_Wright
|
| gptkbp:written_in |
first-person perspective in parts
|
| gptkbp:bfsParent |
gptkb:Richard_Wright
|
| gptkbp:bfsLayer |
3
|