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gptkbp:instanceOf
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gptkb:music
|
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gptkbp:aimsTo
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mainstream audiences
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|
gptkbp:alsoKnownAs
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countrypolitan
|
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gptkbp:characteristic
|
orchestral arrangements
crossover appeal
emphasis on vocals
minimal use of traditional country instruments
polished sound
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|
gptkbp:characterizedBy
|
background vocals
pop music influences
smooth production
string sections
|
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gptkbp:contrastsWith
|
honky-tonk
traditional country
|
|
gptkbp:declinedAfter
|
1970s
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gptkbp:developedBy
|
late 1950s
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|
https://www.w3.org/2000/01/rdf-schema#label
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Nashville sound
|
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gptkbp:influenced
|
country pop
countrypolitan
modern country music
|
|
gptkbp:influencedBy
|
country music
pop music
|
|
gptkbp:inventedBy
|
gptkb:Chet_Atkins
gptkb:Owen_Bradley
gptkb:Billy_Sherrill
|
|
gptkbp:notableArtist
|
gptkb:Eddy_Arnold
gptkb:Patsy_Cline
gptkb:Don_Gibson
gptkb:Jim_Reeves
|
|
gptkbp:notableFor
|
gptkb:Columbia_Records
gptkb:Decca_Records
gptkb:RCA_Records
|
|
gptkbp:notableSong
|
gptkb:Make_the_World_Go_Away
gptkb:He'll_Have_to_Go
Crazy
|
|
gptkbp:originatedIn
|
gptkb:Nashville,_Tennessee
|
|
gptkbp:recordedAt
|
gptkb:Columbia_Studio_A
gptkb:RCA_Studio_B
|
|
gptkbp:relatedTo
|
gptkb:Bakersfield_sound
outlaw country
|
|
gptkbp:replacedBy
|
countrypolitan
|
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gptkbp:subspecies
|
countrypolitan
|
|
gptkbp:successor
|
country pop
|
|
gptkbp:bfsParent
|
gptkb:Music_Row
gptkb:Bakersfield_sound
gptkb:Harold_Bradley
gptkb:Jim_Reeves
gptkb:Owen_Bradley
|
|
gptkbp:bfsLayer
|
6
|