Properties (49)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art installation
|
| gptkbp:artMovement |
avant-garde
|
| gptkbp:artwork |
Japanese
none contemporary art widely recognized installation art striking iconic status repetition identity and perception use of everyday objects challenging perceptions of art. embracing the ephemeral exploration of self and identity |
| gptkbp:associatedWith |
performance art
|
| gptkbp:audience |
immersive
invited to walk among the spheres |
| gptkbp:createdBy |
gptkb:Yayoi_Kusama
|
| gptkbp:critical_reception |
controversial
|
| gptkbp:criticism |
provocative and engaging
|
| gptkbp:culturalHeritage |
1960s art movements
|
| gptkbp:culturalImpact |
inspired future installations
|
| gptkbp:culturalSignificance |
reflection on consumerism
|
| gptkbp:exhibitedAt |
gptkb:Guggenheim_Museum
|
| gptkbp:exhibits |
multiple international exhibitions
outdoor installation |
| https://www.w3.org/2000/01/rdf-schema#label |
Narcissus Garden
|
| gptkbp:influenced |
gptkb:Marcel_Duchamp
gptkb:Damien_Hirst |
| gptkbp:influencedBy |
Buddhism
|
| gptkbp:influences |
pop art
|
| gptkbp:inspiredBy |
Narcissus_myth
|
| gptkbp:installation |
temporary
site-specific influenced future artists large-scale arrangement of spheres interaction with the viewer |
| gptkbp:location |
Venice Biennale
|
| gptkbp:medium |
mirror balls
|
| gptkbp:notableFeature |
300 mirrored spheres
|
| gptkbp:publicAccess |
mixed reviews
|
| gptkbp:relatedPatent |
gptkb:Infinity_Mirror_Rooms
|
| gptkbp:style |
conceptual art
|
| gptkbp:symbolism |
vanity
|
| gptkbp:theme |
self-reflection
|
| gptkbp:wasEstablishedIn |
1966 Venice Biennale
|
| gptkbp:yearEstablished |
1966
|