Properties (48)
Predicate | Object |
---|---|
gptkbp:instanceOf |
gptkb:Artist
|
gptkbp:associatedWith |
Los_Angeles_art_scene
|
gptkbp:awards |
Lifetime_Achievement_Award_from_the_Women's_Caucus_for_Art
|
gptkbp:birthDate |
1943-01-01
|
gptkbp:collaboratedWith |
gptkb:Edward_Kienholz
|
gptkbp:deathDate |
2019-01-01
|
gptkbp:education |
gptkb:University_of_California,_Los_Angeles
|
gptkbp:exhibits |
gptkb:The_Smithsonian_American_Art_Museum
gptkb:Whitney_Museum_of_American_Art gptkb:Los_Angeles_County_Museum_of_Art gptkb:Museum_of_Modern_Art gptkb:The_Guggenheim_Museum |
gptkbp:field |
Visual Arts
|
https://www.w3.org/2000/01/rdf-schema#label |
Nancy Reddin Kienholz
|
gptkbp:influenced |
Conceptual art
Contemporary art Installation art Mixed media art Performance art Pop art Social realism Surrealism Art criticism Dadaism Feminist art Public art Environmental art Political art Site-specific art Cultural criticism Narrative art Activism through art Community art Social practice art Art activism Art and feminism Civic engagement art Conceptual sculpture Activist_art |
gptkbp:influencedBy |
Feminism
|
gptkbp:knownFor |
Sculpture
|
gptkbp:nationality |
American
|
gptkbp:style |
Assemblage art
|
gptkbp:works |
gptkb:The_Hoerengracht
The Last Supper The Red Room The Waiting Room Back Seat Dodge '38 |