Statements (53)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:soundtrack
|
gptkbp:associated_with |
experimental music
|
gptkbp:author |
gptkb:Gérard_Grisey
gptkb:Luc_Ferrari gptkb:François_Bayle gptkb:Iannis_Xenakis |
gptkbp:cultural_impact |
influenced contemporary art
influenced pop music influenced contemporary classical music influenced experimental theater influenced film soundtracks influenced installation art influenced performance art influenced radio art influenced music technology influenced sound installations influenced noise music influenced ambient music influenced podcasting influenced digital art influenced music production influenced multimedia performances influenced soundscapes influenced video art influenced audio engineering influenced radio broadcasting influenced audio-visual works influenced interactive media influenced sound poetry influenced sound recording techniques influenced sound therapy influenced theater sound design |
gptkbp:developed_by |
gptkb:Pierre_Schaeffer
|
https://www.w3.org/2000/01/rdf-schema#label |
Musique Concrète
|
gptkbp:influenced |
electronic music
|
gptkbp:influenced_by |
gptkb:Artist
|
gptkbp:is_available_in |
1970s
|
gptkbp:is_characterized_by |
the use of recorded sounds
|
gptkbp:notable_work |
gptkb:Symphonie_pour_un_homme_seul
Étude aux chemins de fer |
gptkbp:origin |
gptkb:Monarch
|
gptkbp:premiered_on |
1940s
|
gptkbp:related_to |
gptkb:architect
avant-garde music sound art |
gptkbp:reunion |
1990s
|
gptkbp:technique |
looping
sampling field recording tape manipulation sound collage |
gptkbp:bfsParent |
gptkb:Pierre_Henry
|
gptkbp:bfsLayer |
5
|