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gptkbp:instance_of
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gptkb:play
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gptkbp:bfsLayer
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3
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gptkbp:bfsParent
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gptkb:Bob_Dylan
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gptkbp:adaptation
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gptkb:ballet
gptkb:opera
gptkb:film
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gptkbp:character
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gptkb:Claudius
gptkb:Ophelia
gptkb:Laertes
gptkb:Gertrude
gptkb:Ghost_of_King_Hamlet
gptkb:Polonius
Horatio
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gptkbp:conflict
|
internal conflict
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gptkbp:critical_reception
|
widely studied
performed worldwide
considered a classic
performed frequently
analyzed in academia
subject of numerous analyses
adapted into various languages
subject of numerous documentaries
subject of numerous books
influential in literary criticism
subject of numerous essays
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gptkbp:cultural_impact
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influenced popular culture
inspired numerous adaptations
influenced literature
influenced philosophy
influenced art
influenced film
influenced music
influenced psychology
influenced theatre
cited in various works
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gptkbp:first_performance
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1603
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gptkbp:genre
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gptkb:earthquake
|
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https://www.w3.org/2000/01/rdf-schema#label
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Murder Most Foul
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gptkbp:influence
|
Western literature
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gptkbp:language
|
English
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gptkbp:main_character
|
gptkb:mythological_figure
|
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gptkbp:motif
|
gptkb:historical_event
gptkb:betrayal
gptkb:cemetery
madness
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gptkbp:notable_appearance
|
the play within a play
|
|
gptkbp:notable_performance
|
gptkb:Elizabethan_theatre
|
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gptkbp:notable_quote
|
To be, or not to be, that is the question.
|
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gptkbp:release_year
|
gptkb:1964
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gptkbp:released_in
|
gptkb:2020
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|
gptkbp:setting
|
gptkb:Denmark
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gptkbp:social_structure
|
five acts
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gptkbp:starring
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gptkb:Margaret_Rutherford
|
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gptkbp:symbolism
|
gptkb:armor
|
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gptkbp:theme
|
gptkb:revenge
|
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gptkbp:written_by
|
gptkb:Educational_Institution
|