|
gptkbp:instance_of
|
gptkb:fictional_character
gptkb:novel
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:The_Last_Hurrah
|
|
gptkbp:adaptation
|
gptkb:High_School
gptkb:film
|
|
gptkbp:antagonist
|
gptkb:political_movement
|
|
gptkbp:appears_in
|
Mrs. Skeffington (novel)
|
|
gptkbp:art_movement
|
gptkb:modernism
|
|
gptkbp:artistic_legacy
|
remains a classic
|
|
gptkbp:author
|
gptkb:Elizabeth_von_Arnim
|
|
gptkbp:awards
|
gptkb:award
|
|
gptkbp:cast
|
gptkb:Bette_Davis
gptkb:Vincent_Sherman
|
|
gptkbp:character_arc
|
self-discovery
|
|
gptkbp:character_development
|
maturity
Fanny's transformation
|
|
gptkbp:character_relationships
|
narcissism
Fanny and her friends
Fanny and her husband
|
|
gptkbp:climax
|
Fanny's realization
|
|
gptkbp:conflict
|
internal conflict
social conflict
|
|
gptkbp:created_by
|
gptkb:Elizabeth_von_Arnim
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced feminist literature
|
|
gptkbp:cultural_significance
|
reflects societal values
|
|
gptkbp:first_published
|
gptkb:1940
|
|
gptkbp:genre
|
gptkb:Author
gptkb:novel
|
|
gptkbp:historical_context
|
pre-WWII era
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Mrs. Skeffington
|
|
gptkbp:influenced_artists
|
gptkb:The_Enchanted_April
|
|
gptkbp:influences
|
social commentary
|
|
gptkbp:inspiration
|
real-life experiences
|
|
gptkbp:is_criticized_for
|
analyzed for themes of vanity
|
|
gptkbp:is_motivated_by
|
desire for validation
|
|
gptkbp:isbn
|
978-1-84749-123-4
|
|
gptkbp:language
|
English
|
|
gptkbp:launch_site
|
gptkb:England
|
|
gptkbp:literary_devices
|
irony
|
|
gptkbp:main_character
|
gptkb:Fanny_Skeffington
|
|
gptkbp:motif
|
beauty
|
|
gptkbp:narrative_style
|
third-person
satirical
|
|
gptkbp:narrative_theme
|
gptkb:TV_series
|
|
gptkbp:notable_quote
|
" Beauty is a thing of the past."
|
|
gptkbp:notable_story_arc
|
rise and fall
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot_twist
|
Fanny's downfall
|
|
gptkbp:published_by
|
gptkb:1940
|
|
gptkbp:publisher
|
gptkb:Harcourt_Brace
|
|
gptkbp:reader_demographic
|
varied interpretations
|
|
gptkbp:release_year
|
gptkb:1944
|
|
gptkbp:resolution
|
acceptance of self
|
|
gptkbp:setting
|
gptkb:Borough
1930s
|
|
gptkbp:style
|
satirical
|
|
gptkbp:symbol
|
the mirror
|
|
gptkbp:symbolism
|
gptkb:item
Fanny as a symbol of vanity
|
|
gptkbp:theme
|
vanity
|
|
gptkbp:viewpoint
|
omniscient
|