|
gptkbp:instance_of
|
gptkb:fictional_character
gptkb:character
|
|
gptkbp:adapted_into
|
gptkb:film_adaptations
gptkb:play
various media
|
|
gptkbp:age
|
middle-aged
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|
gptkbp:antagonist
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gptkb:Judge_Turpin
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|
gptkbp:appears_in
|
gptkb:Sweeney_Todd:_The_Demon_Barber_of_Fleet_Street
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|
gptkbp:associated_with
|
gptkb:murder
cannibalism
|
|
gptkbp:collaborates_with
|
gptkb:Sweeney_Todd
|
|
gptkbp:created_by
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gptkb:Stephen_Sondheim
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|
gptkbp:famous_for
|
meat pies
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|
gptkbp:famous_quote
|
" A little priest."
' A little priest'.
|
|
gptkbp:first_appearance
|
gptkb:1979
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|
gptkbp:gender
|
gptkb:Female
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|
gptkbp:has
|
owning a successful business
successful business
|
|
gptkbp:has_adaptation
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gptkb:film
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|
gptkbp:has_backstory
|
poor upbringing
lost her husband
unrequited love for Sweeney Todd
|
|
gptkbp:has_business
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gptkb:Sweeney_Todd
meat pie shop
|
|
gptkbp:has_conflict_with
|
gptkb:Beadle_Bamford
gptkb:Tobias_Ragg
gptkb:Judge_Turpin
Mrs. Lovett's conscience
|
|
gptkbp:has_developed
|
becomes more morally ambiguous
|
|
gptkbp:has_friend
|
gptkb:Anthony_Hope
gptkb:Sweeney_Todd
|
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gptkbp:has_impact_on
|
gptkb:popular_culture
|
|
gptkbp:has_influence_on
|
gptkb:horror_genre
|
|
gptkbp:has_occupation
|
meat pie shop owner
|
|
gptkbp:has_relationship_with
|
gptkb:Sweeney_Todd
romantic with Sweeney Todd
|
|
gptkbp:has_role
|
the plot of Sweeney Todd
|
|
gptkbp:has_theme
|
gptkb:survival
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Mrs. Lovett
|
|
gptkbp:influences
|
Sweeney Todd's actions
|
|
gptkbp:is_a
|
gptkb:Actor
gptkb:comic_book
gptkb:fictional_character
gptkb:antagonist
gptkb:Businesswoman
gptkb:Villain
gptkb:cultural_icon
gptkb:anti-hero
gptkb:supporting_character
gptkb:tragedy
gptkb:musical_artist
baker
female character
stage character
tragic character
character in musical theatre
supporting antagonist
character in horror genre
antiheroine
|
|
gptkbp:is_acclaimed_for
|
her complexity
|
|
gptkbp:is_analyzed_in
|
literary studies
|
|
gptkbp:is_associated_with
|
gptkb:Fleet_Street
gptkb:murder
gptkb:theatrical_performances
dark humor
|
|
gptkbp:is_character_in
|
gptkb:Sweeney_Todd
|
|
gptkbp:is_cited_in
|
discussions about morality
|
|
gptkbp:is_connected_to
|
the barber shop
|
|
gptkbp:is_considered
|
iconic character
a complex villain
|
|
gptkbp:is_considered_by
|
fans as a favorite character
|
|
gptkbp:is_described_as
|
manipulative
|
|
gptkbp:is_explored_in
|
character studies
thematic analyses
|
|
gptkbp:is_famous_for
|
her role in the story
|
|
gptkbp:is_featured_in
|
gptkb:film_adaptations
stage productions
musical adaptations
musical numbers
|
|
gptkbp:is_friend_of
|
gptkb:Sweeney_Todd
|
|
gptkbp:is_from
|
gptkb:London
gptkb:Victorian_England
|
|
gptkbp:is_in
|
gptkb:musical
gptkb:Sweeney_Todd:_The_Demon_Barber_of_Fleet_Street
theatre productions
the film adaptation
the musical
the stage production
|
|
gptkbp:is_in_love_with
|
gptkb:Sweeney_Todd
|
|
gptkbp:is_influenced_by
|
the Victorian era
|
|
gptkbp:is_involved_in
|
cannibalism
criminal activities
the story's climax
murders
the main conflict
|
|
gptkbp:is_known_for
|
dark humor
her tragic fate
meat pies
her catchy songs
her dark humor
her meat pies
her schemes
her pies
making meat pies from human flesh
|
|
gptkbp:is_motivated_by
|
gptkb:greed
profit
desperation
love for Sweeney Todd
|
|
gptkbp:is_often_compared_to
|
other antiheroes
|
|
gptkbp:is_often_depicted_as
|
a tragicomic character
|
|
gptkbp:is_often_discussed_in
|
theater critiques
|
|
gptkbp:is_often_enjoyed_with
|
gptkb:Sweeney_Todd
|
|
gptkbp:is_often_seen_in
|
gptkb:Sweeney_Todd
|
|
gptkbp:is_part_of
|
gptkb:musical_theatre
gptkb:music_genre
gptkb:Sweeney_Todd_franchise
the plot
musical history
the Sweeney Todd narrative.
|
|
gptkbp:is_portrayed_as
|
gptkb:comic_relief
gptkb:various_adaptations
gptkb:Helena_Bonham_Carter
gptkb:Angela_Lansbury
gptkb:tragic_figure
|
|
gptkbp:is_recognized_as
|
a cultural icon
|
|
gptkbp:is_recognized_for
|
her schemes
|
|
gptkbp:is_represented_in
|
artistic interpretations
|
|
gptkbp:is_sought_after_by
|
profit
|
|
gptkbp:is_symbolic_of
|
dark comedy
|
|
gptkbp:key_event
|
opening the pie shop
|
|
gptkbp:known_for
|
meat pies
her meat pies
|
|
gptkbp:lives_in
|
gptkb:London
|
|
gptkbp:loyalty
|
gptkb:Sweeney_Todd
|
|
gptkbp:mood
|
desperate
|
|
gptkbp:musical_number
|
" A Little Priest"
|
|
gptkbp:narrative
|
gptkb:supporting_character
gptkb:tragic_figure
|
|
gptkbp:occupation
|
meat pie shop owner
pie shop owner
|
|
gptkbp:operates
|
meat pie shop
|
|
gptkbp:partnership
|
gptkb:Sweeney_Todd
|
|
gptkbp:personality_trait
|
resourceful
cunning
amoral
morally ambiguous
|
|
gptkbp:portrayed_by
|
gptkb:Helena_Bonham_Carter
gptkb:Angela_Lansbury
|
|
gptkbp:provides
|
support to Sweeney Todd
|
|
gptkbp:relation_to
|
gptkb:Partnerships
|
|
gptkbp:relationship
|
gptkb:Tobias_Ragg
gptkb:Sweeney_Todd
|
|
gptkbp:relationship_with
|
gptkb:Tobias_Ragg
gptkb:Sweeney_Todd
|
|
gptkbp:result
|
meets a tragic end
|
|
gptkbp:setting
|
gptkb:Victorian_London
|
|
gptkbp:sings
|
musical numbers
|
|
gptkbp:symbolism
|
moral decay
|
|
gptkbp:time_period
|
gptkb:Victorian_era
|
|
gptkbp:uses
|
gptkb:cemetery
|
|
gptkbp:works_with
|
gptkb:Sweeney_Todd
|
|
gptkbp:bfsParent
|
gptkb:Meryl_Streep
gptkb:Angela_Lansbury
|
|
gptkbp:bfsLayer
|
3
|