Statements (26)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:artist
gptkb:person |
| gptkbp:activeYears |
1990s–present
|
| gptkbp:birthDate |
1965-02-02
|
| gptkbp:birthPlace |
gptkb:Norway
|
| gptkbp:education |
gptkb:Norwegian_National_Academy_of_Fine_Arts
gptkb:Norwegian_School_of_Veterinary_Science |
| gptkbp:field |
gptkb:art
gptkb:painting gptkb:sculpture performing arts visual arts installation art |
| gptkbp:gender |
male
|
| https://www.w3.org/2000/01/rdf-schema#label |
Morten Viskum
|
| gptkbp:knownFor |
contemporary art
controversial art projects |
| gptkbp:nationality |
gptkb:Norwegian
|
| gptkbp:notableProject |
placing dead rats in olive jars in grocery stores
using severed hands as painting tools |
| gptkbp:notableWork |
The Hand that Never Stopped Painting
rat in olive jar project |
| gptkbp:occupation |
gptkb:artist
|
| gptkbp:website |
https://www.mortenviskum.com/
|
| gptkbp:bfsParent |
gptkb:Vestfossen,_Norway
|
| gptkbp:bfsLayer |
7
|