Statements (172)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Composer
|
| gptkbp:associated_act |
gptkb:St._Mark's_Basilica
gptkb:Camerata_Fiorentina |
| gptkbp:associated_with |
gptkb:Venetian_School
gptkb:Venice gptkb:Camerata_de'_Bardi Baroque music Italian Renaissance music |
| gptkbp:awards |
Honorary degrees from various institutions
Honorary Doctorate from the University of Bologna |
| gptkbp:birth_date |
1567-05-15
|
| gptkbp:birth_place |
gptkb:Cremona,_Italy
|
| gptkbp:birth_year |
1567
|
| gptkbp:born_in |
gptkb:Cremona
|
| gptkbp:children |
gptkb:Massimiliano_Monteverdi
gptkb:Francesca_Monteverdi gptkb:Leonora_Monteverdi Claudio Monteverdi Jr. Giovanni Monteverdi |
| gptkbp:collaborated_with |
gptkb:Giovanni_Battista_Marino
gptkb:Francesco_Rasi gptkb:Marco_da_Gagliano |
| gptkbp:contemporary |
gptkb:Claudio_Monteverdi
|
| gptkbp:contribution |
Innovative use of orchestration
development of opera Integration of music and drama Emphasis on emotional expression in music development of monody establishment of opera as a genre Development of opera as a genre |
| gptkbp:cultural_impact |
influence on music festivals
influence on music education influence on music criticism influence on music history influence on music composition influence on music theory influence on music performance influence on music technology influence on European music influence on music publishing influence on musicology influence on music analysis influence on Italian opera influence on music aesthetics |
| gptkbp:death_date |
1643-11-29
|
| gptkbp:death_place |
gptkb:Venice,_Italy
|
| gptkbp:death_year |
1643
|
| gptkbp:education |
gptkb:University_of_Padua
|
| gptkbp:family |
gptkb:noble_family
Father: Baldassare Monteverdi Mother: Maddalena Zignani |
| gptkbp:famous_for |
innovative use of harmony
dramatic expression in music |
| gptkbp:famous_work |
gptkb:L'_Orfeo
gptkb:L'incoronazione_di_Poppea gptkb:Vespers_of_1610 |
| gptkbp:full_name |
gptkb:Claudio_Monteverdi
|
| gptkbp:genre |
gptkb:chamber_music
gptkb:opera gptkb:sacred_music Baroque music Sacred music secular music |
| https://www.w3.org/2000/01/rdf-schema#label |
Monteverdi
|
| gptkbp:influence |
gptkb:choir
music theory film music modern classical music development of opera contemporary opera Influenced modern opera composers. Influenced the development of Western classical music |
| gptkbp:influenced |
gptkb:J._S._Bach
gptkb:Johann_Sebastian_Bach gptkb:Richard_Wagner gptkb:Henry_Purcell gptkb:opera gptkb:musical_instruments gptkb:music_education gptkb:sacred_music Baroque opera European music music theory vocal techniques modern classical music performance practice 20th-century composers film music composers Baroque composers modern opera composers Claudio Monteverdi's contemporaries |
| gptkbp:influenced_by |
gptkb:Palestrina
gptkb:Giovanni_Gabrieli |
| gptkbp:instrument |
gptkb:voice_acting
string instruments |
| gptkbp:instrumentation |
gptkb:orchestra
vocal ensembles |
| gptkbp:instruments |
gptkb:Voice
gptkb:organ Violin |
| gptkbp:known_for |
developing opera
The Birth of Opera Transition from Renaissance to Baroque music transition from Renaissance to Baroque music |
| gptkbp:language |
gptkb:Italian
|
| gptkbp:legacy |
Influence on later composers
development of monody influence on Western classical music pioneer of opera Pioneer of opera pioneering figure in Western music |
| gptkbp:nationality |
gptkb:Italian
|
| gptkbp:notable_achievement |
development of the aria
emphasis on text expression creation of the opera genre integration of instrumental music with vocal music use of recitative in opera first composer to write operas that are still performed today |
| gptkbp:notable_performances |
L' Orfeo premiere in 1607
L'incoronazione di Poppea premiere in 1642 Vespers premiere in 1610 |
| gptkbp:notable_students |
gptkb:Antonio_Vivaldi
gptkb:Francesco_Cavalli gptkb:Giovanni_Legrenzi |
| gptkbp:notable_work |
gptkb:Il_ritorno_d'_Ulisse_in_patria
gptkb:L'_Orfeo gptkb:L'incoronazione_di_Poppea gptkb:Vespers_of_1610 Madrigals Arianna Il combattimento di Tancredi e Clorinda Il ritorno d' Ulisse in patria (1640) L' Orfeo (1607) L'incoronazione di Poppea (1643) Lamento d' Arianna Madrigal Book I Madrigal Book II Madrigal Book III Madrigal Book IV Madrigal Book V Madrigal Book VI Madrigal Book VII Madrigal Book VIII Selva morale e spirituale |
| gptkbp:notable_works |
gptkb:Il_ritorno_d'_Ulisse_in_patria
gptkb:L'_Orfeo gptkb:L'incoronazione_di_Poppea gptkb:Vespers_of_1610 |
| gptkbp:occupation |
gptkb:musician
gptkb:Composer gptkb:violin gptkb:conductor |
| gptkbp:performance |
use of instruments
emphasis on text expression staging operas |
| gptkbp:performed_at |
gptkb:Venice_Carnival
|
| gptkbp:place_of_birth |
gptkb:Cremona
|
| gptkbp:place_of_death |
gptkb:Venice
|
| gptkbp:position |
music director at St. Mark's Basilica
|
| gptkbp:style |
Early Baroque
Use of dissonance Dramatic expression Innovative use of instruments expressive harmony early Baroque dramatic use of music |
| gptkbp:was_a_patron_of |
gptkb:Duke_of_Somerset
gptkb:Duke_Vincenzo_Gonzaga |
| gptkbp:work_period |
Renaissance to Baroque
1590s to 1640s |
| gptkbp:bfsParent |
gptkb:Peabody_Early_Music_Ensemble
|
| gptkbp:bfsLayer |
6
|