|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
colorful and vibrant
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Foreign_Language_Film
|
|
gptkbp:box_office
|
successful in France
|
|
gptkbp:character
|
gptkb:Madame_Hulot
the dog
the neighbor
the architect
the nephew
|
|
gptkbp:character_development
|
Monsieur Hulot's character
|
|
gptkbp:cinematography
|
gptkb:Eugène_Schüfftan
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
influenced filmmakers
|
|
gptkbp:cultural_significance
|
depicts societal changes
highlights family values
explores urban life
uses visual storytelling
celebrates simplicity
contrasts rural and urban settings
examines consumerism
reflects post-war optimism
satirizes modern life
|
|
gptkbp:director
|
gptkb:Jacques_Tati
|
|
gptkbp:distributor
|
gptkb:United_Artists
|
|
gptkbp:editing
|
Marcel Molinar
|
|
gptkbp:features
|
modern architecture
|
|
gptkbp:film_technique
|
slapstick
|
|
gptkbp:follows
|
gptkb:Monsieur_Hulot's_adventures
|
|
gptkbp:genre
|
gptkb:comedy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Mon Oncle
|
|
gptkbp:influenced
|
gptkb:French_New_Wave_filmmakers
|
|
gptkbp:influenced_by
|
silent film tradition
|
|
gptkbp:influences
|
gptkb:Animation
gptkb:advertising
gptkb:comedy
comedy films
|
|
gptkbp:inspiration
|
Tati's own experiences
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:legacy
|
cult classic status
|
|
gptkbp:main_character
|
gptkb:Monsieur_Hulot
|
|
gptkbp:music_composer
|
gptkb:François_de_Roubaix
|
|
gptkbp:notable_for
|
visual comedy
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:producer
|
gptkb:Jacques_Tati
|
|
gptkbp:production_company
|
gptkb:Specta_Films
|
|
gptkbp:release_year
|
gptkb:1958
|
|
gptkbp:runtime
|
116 minutes
|
|
gptkbp:screenplay
|
gptkb:Jacques_Tati
|
|
gptkbp:set_in
|
gptkb:post-war_France
|
|
gptkbp:themes
|
modernity vs tradition
|
|
gptkbp:bfsParent
|
gptkb:Jacques_Tati
gptkb:The_Man_from_the_Boulevard_des_Capucines
|
|
gptkbp:bfsLayer
|
5
|