Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art movement
|
| gptkbp:artwork |
global contemporary art
traditional_Chinese_art Asian_art_movements |
| gptkbp:characterizedBy |
blending of traditional and modern techniques
|
| gptkbp:collectibility |
museums
private collectors art investors |
| gptkbp:criticism |
debate over authenticity
cultural appropriation commercialization of art |
| gptkbp:culturalSignificance |
response to modernization
expression of personal emotions reflection_of_Chinese_identity |
| gptkbp:developedBy |
20th century
|
| gptkbp:education |
workshops and seminars
international art programs art_schools_in_China |
| gptkbp:exhibits |
gptkb:China_National_Museum
gptkb:National_Art_Museum_of_China gptkb:Shanghai_Art_Museum |
| gptkbp:festivals |
gptkb:Beijing_International_Art_Biennale
gptkb:Shanghai_Art_Fair Art Basel |
| gptkbp:futurePlans |
sustainability in art
global collaborations digital art integration |
| gptkbp:hasArtStyle |
oil painting
ink wash painting watercolor painting |
| https://www.w3.org/2000/01/rdf-schema#label |
Modern Chinese painting
|
| gptkbp:influencedBy |
Western art
|
| gptkbp:media |
documentaries
online platforms art journals |
| gptkbp:notableArtists |
gptkb:Zhang_Daqian
gptkb:Xu_Beihong gptkb:Wu_Guanzhong Li Keran Fan Zeng |
| gptkbp:originatedIn |
gptkb:China
|
| gptkbp:technique |
color theory
calligraphy composition |
| gptkbp:theme |
portraits
social issues landscapes |