Statements (222)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
gptkb:play |
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:ballet gptkb:Miss_Julie_(film,_1951) gptkb:Miss_Julie_(film,_2014) gptkb:Miss_Julie_(2014_film) gptkb:Miss_Julie_(2019_film) Miss Julie (opera) Miss Julie (opera, 2005) operatic adaptation of a play |
| gptkbp:adaptation_year |
gptkb:1999
gptkb:2014 gptkb:2016 gptkb:2019 1951 |
| gptkbp:adaptations |
gptkb:film_adaptation
gptkb:film_adaptations gptkb:ballet gptkb:opera gptkb:film theatre productions |
| gptkbp:adapted_into |
Strindberg's Miss Julie
|
| gptkbp:based_on |
gptkb:August_Strindberg's_play
Miss Julie (play) |
| gptkbp:character |
gptkb:Kristin
gptkb:Miss_Julie gptkb:Jean |
| gptkbp:character_development |
complex characters
Jean's ambition Kristin's loyalty Miss Julie's descent into madness Jean's ambition is revealed Julie evolves throughout the play Kristin's loyalty is tested |
| gptkbp:character_relationships |
Julie vs Jean
Julie vs Kristin Julie vs societal norms |
| gptkbp:characteristic |
Jean represents the working class.
Kristin is the traditional woman. Miss Julie is a complex character. |
| gptkbp:choreography |
gptkb:Martha_Graham
gptkb:Pina_Bausch gptkb:Wayne_Mc_Gregor gptkb:Mats_Ek |
| gptkbp:composer |
gptkb:Alfred_Schnittke
gptkb:Alfons_Diepenbrock |
| gptkbp:conflict |
Julie vs Jean
Julie vs societal norms Julie vs herself |
| gptkbp:costume_design |
gptkb:Yves_Saint_Laurent
gptkb:Zandra_Rhodes gptkb:Catherine_Martin gptkb:Vivienne_Westwood |
| gptkbp:created_by |
gptkb:Alfred_Schnittke
|
| gptkbp:critical_reception |
controversial
mixed reviews widely studied mixed reviews at premiere |
| gptkbp:cultural_impact |
performed worldwide
influenced feminist literature influential in opera repertoire influenced contemporary opera inspired feminist discourse influenced existentialism influenced modern drama explored themes of sexuality examined class relations influenced modernist theater |
| gptkbp:design |
gptkb:David_Hockney
gptkb:Robert_Wilson gptkb:Richard_Hudson Maja Zazvrsnik |
| gptkbp:director |
gptkb:Peter_Konwitschny
gptkb:Robert_Wilson gptkb:Peter_Stein gptkb:Mikael_Persbrandt gptkb:Bengt_Ahlfors |
| gptkbp:duration |
approximately 90 minutes
|
| gptkbp:first_performance |
gptkb:2005
gptkb:Stockholm 1888 June 14, 1888 |
| gptkbp:genre |
naturalism
tragic opera opera in three acts |
| gptkbp:historical_context |
set during the late 19th century
addresses issues of class and gender addresses issues of gender and class. part of the modernist movement. reflects late 19th-century society. reflects social changes in Sweden |
| https://www.w3.org/2000/01/rdf-schema#label |
Miss Julie
|
| gptkbp:influence |
modern drama
|
| gptkbp:influenced |
modern drama
|
| gptkbp:influenced_artists |
gptkb:Benjamin_Britten
gptkb:Richard_Strauss gptkb:Poulenc gptkb:Giacomo_Puccini |
| gptkbp:influenced_by |
gptkb:Symbolism
gptkb:Realism gptkb:Henrik_Ibsen Naturalism naturalism realism 20th-century music European opera traditions theatre traditions Strindberg's original play |
| gptkbp:inspiration |
Strindberg's own experiences
inspired by Strindberg's own experiences |
| gptkbp:inspired_by |
Strindberg's own experiences
|
| gptkbp:is_considered_as |
a classic of Western literature
|
| gptkbp:language |
gptkb:Swedish
gptkb:German |
| gptkbp:legacy |
inspired numerous adaptations and reinterpretations
considered a classic of Western theater often included in theater curricula |
| gptkbp:librettist |
gptkb:August_Strindberg
|
| gptkbp:libretto |
gptkb:Yuri_Karyakin
|
| gptkbp:literary_significance |
often included in academic curricula.
an important work in the naturalism genre. considered a classic of Western theatre. |
| gptkbp:main_character |
gptkb:Kristin
gptkb:Julie gptkb:Miss_Julie gptkb:Jean |
| gptkbp:notable_aria |
gptkb:Julie's_Aria
|
| gptkbp:notable_aspect |
gptkb:historical_context
artistic expression cultural significance social commentary audience engagement emotional depth theatrical elements character arcs character interactions lyrical content artistic innovation cultural dialogue dramatic tension dramatic structure musical motifs performance interpretation musical language |
| gptkbp:notable_character |
gptkb:Kristin
gptkb:Miss_Julie gptkb:Jean |
| gptkbp:notable_conductors |
gptkb:Ingo_Metzmacher
|
| gptkbp:notable_event |
world premiere
|
| gptkbp:notable_performance |
2005 premiere in Hamburg
|
| gptkbp:notable_production |
gptkb:Royal_Dramatic_Theatre
gptkb:Hamburg_State_Opera gptkb:Strindberg_Festival gptkb:The_Old_Vic gptkb:Burgtheater 2016 production by the Royal Opera House 2019 production by the Opera Theatre of Saint Louis |
| gptkbp:notable_quote |
" I want to be free!"
" I am not a woman, I am a lady." " You are a servant, and I am a lady." " I am not a woman, I am a human being." " What is the difference between us?" " You are my master, and I am your slave." |
| gptkbp:notable_recordings |
Chandos recording
Naxos recording CPO recording Decca recording |
| gptkbp:number_of_acts |
one
|
| gptkbp:orchestration |
gptkb:orchestra
orchestra and voices |
| gptkbp:original_language |
gptkb:Swedish
|
| gptkbp:performance_style |
minimalist set design
naturalistic acting emphasis on dialogue. |
| gptkbp:performed_at |
gptkb:Royal_Swedish_Opera
|
| gptkbp:performed_by |
various opera companies
|
| gptkbp:performed_in |
theaters worldwide
theatres worldwide |
| gptkbp:premiere |
1888
|
| gptkbp:premiere_location |
gptkb:Hamburg
Kungsbrogatan Theatre, Stockholm |
| gptkbp:premiered_on |
gptkb:2005
1888 |
| gptkbp:published_in |
1888
|
| gptkbp:recordings |
available on CD
|
| gptkbp:revival |
frequent revivals in Europe
|
| gptkbp:setting |
gptkb:Sweden
Swedish estate |
| gptkbp:sings |
gptkb:German
|
| gptkbp:strindberg's_style |
symbolic elements
psychological realism naturalistic dialogue |
| gptkbp:structure |
three acts
|
| gptkbp:style |
symbolism
psychological realism modern opera naturalistic dialogue |
| gptkbp:symbolism |
the struggle for power.
the relationship between classes the relationship dynamics the Midsummer Eve party the relationship between the characters the Midsummer celebration the kitchen setting the kitchen as a setting |
| gptkbp:thematic_element |
class struggle
gender roles social conflict psychological drama |
| gptkbp:theme |
power dynamics
gender roles sexual tension |
| gptkbp:themes |
class struggle
power dynamics gender roles |
| gptkbp:translated_into |
multiple languages
|
| gptkbp:written_by |
gptkb:August_Strindberg
|
| gptkbp:bfsParent |
gptkb:Royal_Dramatic_Theatre
gptkb:2014_Venice_Film_Festival gptkb:August_Strindberg |
| gptkbp:bfsLayer |
5
|