|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:film
gptkb:Misery_(novel)
|
|
gptkbp:associated_act
|
2
|
|
gptkbp:audience
|
high
immersive
|
|
gptkbp:awards
|
Best New Play nomination
|
|
gptkbp:based_on
|
novel by Stephen King
|
|
gptkbp:character_appearance
|
gptkb:Gabrielle_Dalton
|
|
gptkbp:character_arc
|
gptkb:Transformation
|
|
gptkbp:character_development
|
intense
|
|
gptkbp:character_relationships
|
gptkb:launch_complex
manipulative
antagonistic
writer vs captor
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
increased interest in adaptations
|
|
gptkbp:director
|
gptkb:Daniel_Evans
|
|
gptkbp:first_performance
|
October 2021
|
|
gptkbp:focus
|
writer's captivity
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Misery (2021 play)
|
|
gptkbp:influenced_by
|
gptkb:film
psychological horror
|
|
gptkbp:inspiration
|
Stephen King's experiences
|
|
gptkbp:is_a_venue_for
|
gptkb:Chichester_Festival_Theatre
|
|
gptkbp:is_motivated_by
|
gptkb:revenge
fear
desperation
|
|
gptkbp:language
|
English
|
|
gptkbp:lighting
|
Howard Harrison
|
|
gptkbp:mood
|
tense
|
|
gptkbp:notable_character
|
gptkb:Paul_Sheldon
gptkb:Annie_Wilkes
|
|
gptkbp:number_of_stages
|
gptkb:Robert_Jones
|
|
gptkbp:official_language
|
English
|
|
gptkbp:performance
|
realistic
|
|
gptkbp:premiered_on
|
gptkb:2021
|
|
gptkbp:produced_by
|
gptkb:The_Chichester_Festival_Theatre
|
|
gptkbp:producer
|
West End production
|
|
gptkbp:public_perception
|
suspenseful
|
|
gptkbp:runtime
|
approximately 2 hours
|
|
gptkbp:setting
|
gptkb:Colorado
|
|
gptkbp:sound
|
gptkb:Ian_Dickinson
|
|
gptkbp:target_audience
|
adults
|
|
gptkbp:thematic_element
|
isolation
obsession
fame
human psyche
artistic integrity
fame's consequences
|
|
gptkbp:theme
|
gptkb:survival
mental health
power dynamics
|
|
gptkbp:user_reviews
|
The Guardian review
The Independent review
The Times review
|
|
gptkbp:written_by
|
gptkb:Simon_Moore
|
|
gptkbp:bfsParent
|
gptkb:Misery_(1990_film)
|
|
gptkbp:bfsLayer
|
4
|