|
gptkbp:instance_of
|
gptkb:fictional_character
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Gwen_Renée_Stefani
gptkb:Kathy_Bates
gptkb:Monarch
gptkb:Stephen_King
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:none
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:television_series
gptkb:theatre
gptkb:graphic_novel
gptkb:book
gptkb:novel
gptkb:film
gptkb:Misery_(1990_film)
various media
a stage play
Stephen King's novel
|
|
gptkbp:antagonist
|
gptkb:Paul_Sheldon
|
|
gptkbp:appears_in
|
gptkb:Misery_(novel)
|
|
gptkbp:audience
|
positive
|
|
gptkbp:author
|
gptkb:Paul_Sheldon
|
|
gptkbp:awards
|
gptkb:award
gptkb:Academy_Award_for_Best_Actress
gptkb:Golden_Globe_Award_for_Best_Actress
gptkb:BAFTA_Award_for_Best_Actress
BAFTA nominations
|
|
gptkbp:based_on
|
gptkb:Stephen_King's_Misery
gptkb:Misery
gptkb:Misery_(novel)
novel by Stephen King
|
|
gptkbp:box_office
|
61 million USD
$62.8 million
|
|
gptkbp:ceo
|
gptkb:Author
complex character
injured in a car accident
tries to escape
|
|
gptkbp:character
|
gptkb:Paul_Sheldon
gptkb:Annie_Wilkes
|
|
gptkbp:character_appearance
|
period-appropriate
|
|
gptkbp:character_arc
|
Annie Wilkes’s obsession
Paul Sheldon’s transformation
|
|
gptkbp:character_development
|
gptkb:Paul_Sheldon
gptkb:Annie_Wilkes
|
|
gptkbp:cinematography
|
gptkb:Barry_Sonnenfeld
|
|
gptkbp:coat_of_arms
|
gptkb:hospital
iconic horror character
captures Paul again
forces Paul to write a new novel
kills Paul’s agent
psychotic fan
rescues Paul Sheldon
reveals her true nature
|
|
gptkbp:conflict
|
captivity
|
|
gptkbp:contains
|
violence
|
|
gptkbp:created_by
|
gptkb:Stephen_King
|
|
gptkbp:critical_reception
|
positive
positive reviews
favorable reviews
|
|
gptkbp:cultural_impact
|
gptkb:significant
iconic status
influential in horror genre
popular among audiences
influenced other media
|
|
gptkbp:cultural_references
|
gptkb:musical
gptkb:television_series
gptkb:organization
referenced in other films.
|
|
gptkbp:design
|
minimalist
|
|
gptkbp:died_in
|
gptkb:2012
gptkb:2019
|
|
gptkbp:directed_by
|
gptkb:Simon_Mc_Burney
gptkb:Rob_Reiner
|
|
gptkbp:director
|
gptkb:Rob_Reiner
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Richard_Marks
gptkb:Robert_Leighton
|
|
gptkbp:ends_at
|
Paul survives but is traumatized
|
|
gptkbp:explores
|
psychological horror
|
|
gptkbp:fan_base
|
cult following
|
|
gptkbp:features
|
gptkb:Paul_Sheldon
gptkb:Annie_Wilkes
a typewriter
|
|
gptkbp:film_score
|
gptkb:mythological_figure
|
|
gptkbp:film_series
|
standalone
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:Colorado
|
|
gptkbp:filmography
|
gptkb:Kathy_Bates
gptkb:James_Caan
|
|
gptkbp:follows
|
a writer held captive
an author held captive
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:film
psychological horror
psychological thriller
|
|
gptkbp:has_awards
|
multiple literary awards
|
|
gptkbp:has_cameo
|
gptkb:none
|
|
gptkbp:has_character
|
gptkb:Paul_Sheldon
gptkb:Annie_Wilkes
|
|
gptkbp:has_conflict_with
|
captivity
writer vs. fan
|
|
gptkbp:has_film
|
gptkb:none
|
|
gptkbp:has_influence_on
|
thriller genre
|
|
gptkbp:has_merchandise
|
gptkb:none
|
|
gptkbp:has_occupation
|
gptkb:hospital
|
|
gptkbp:has_sequel
|
gptkb:none
Misery's Return
|
|
gptkbp:has_setting
|
isolated house
|
|
gptkbp:has_song
|
gptkb:musical
|
|
gptkbp:has_spin_off
|
gptkb:none
|
|
gptkbp:has_team
|
gptkb:none
|
|
gptkbp:has_theme
|
isolation
obsession
violence
fame
|
|
gptkbp:home_media_release
|
gptkb:film
VHS, DVD, Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Misery
|
|
gptkbp:influenced
|
psychological horror
thriller genre
Stephen King’s later works
|
|
gptkbp:influenced_by
|
gptkb:film
psychological horror
real-life events
thriller films
Stephen King's writing style
|
|
gptkbp:innovation
|
gptkb:none
|
|
gptkbp:inspired
|
gptkb:Misery_(video_game)
gptkb:literary_work
academic studies
parody works
|
|
gptkbp:inspired_by
|
Stephen King's experiences
|
|
gptkbp:is_a_moment_of
|
confrontation between Paul and Annie
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
|
|
gptkbp:is_considered
|
a classic
a psychological horror story
classic horror novel
|
|
gptkbp:is_considered_as
|
a classic thriller play
|
|
gptkbp:is_critical_for
|
examines authorial control
explores fan culture
|
|
gptkbp:is_evaluated_by
|
gptkb:theorem
|
|
gptkbp:is_explored_in
|
literary analysis.
|
|
gptkbp:is_influenced_by
|
gptkb:film
|
|
gptkbp:is_known_for
|
torturing Paul Sheldon
|
|
gptkbp:is_part_of
|
gptkb:Stephen_King's_multiverse
|
|
gptkbp:is_recognized_by
|
critics
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
remains a classic
considered a classic.
|
|
gptkbp:lighting
|
dramatic
|
|
gptkbp:main_character
|
gptkb:Paul_Sheldon
gptkb:Annie_Wilkes
gptkb:Misery_(novel)
|
|
gptkbp:motif
|
isolation
violence
fear
|
|
gptkbp:music_by
|
gptkb:Marc_Shaiman
|
|
gptkbp:narrative_style
|
first-person
unreliable narrator
|
|
gptkbp:notable_appearance
|
the hobbling scene
|
|
gptkbp:notable_for
|
exploration of fame
intense psychological elements
strong female antagonist
|
|
gptkbp:notable_quote
|
' I'm your number one fan.'
|
|
gptkbp:number_of_stages
|
intense
|
|
gptkbp:parody
|
gptkb:none
|
|
gptkbp:performed_by
|
gptkb:musical
gptkb:theatre
|
|
gptkbp:personality_trait
|
obsessive
violent
|
|
gptkbp:plot
|
gptkb:physicist
struggle for survival
writer held captive
A writer is held captive by an obsessed fan.
|
|
gptkbp:plot_twist
|
unexpected ending
|
|
gptkbp:premiere_date
|
November 30, 1990
|
|
gptkbp:premiered_on
|
gptkb:1987
|
|
gptkbp:produced_by
|
gptkb:Castle_Rock_Entertainment
gptkb:Columbia_Pictures
gptkb:Rob_Reiner
gptkb:David_Pugh
|
|
gptkbp:published_by
|
gptkb:1987
gptkb:Doubleday
gptkb:Viking_Press
|
|
gptkbp:relationship
|
gptkb:Paul_Sheldon
|
|
gptkbp:release_date
|
November 30, 1990
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1990
|
|
gptkbp:released
|
gptkb:1990
November 30, 1990
|
|
gptkbp:released_in
|
gptkb:1990
|
|
gptkbp:remake
|
gptkb:none
gptkb:battle
|
|
gptkbp:runtime
|
107 minutes
|
|
gptkbp:sales
|
over 1 million copies
|
|
gptkbp:screenplay_by
|
gptkb:William_Goldman
|
|
gptkbp:sequel
|
gptkb:The_Dark_Half
|
|
gptkbp:set_in
|
gptkb:Colorado
the 1980s
a remote house
fictional universe.
|
|
gptkbp:setting
|
gptkb:Colorado
isolated cabin
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:starring
|
gptkb:Kathy_Bates
gptkb:James_Caan
|
|
gptkbp:symbolism
|
gptkb:Author
gptkb:publishing_company
obsession
pain
|
|
gptkbp:theme
|
gptkb:survival
|
|
gptkbp:themes
|
gptkb:survival
obsession
fame
control
mental illness
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:trivia
|
Kathy Bates' performance praised.
|
|
gptkbp:winner
|
gptkb:Tony_Award_for_Best_Play
|
|
gptkbp:written_by
|
gptkb:Stephen_King
gptkb:William_Goldman
|
|
gptkbp:written_in
|
English
first person
suspenseful style
|