gptkbp:instance_of
|
gptkb:play
gptkb:film
|
gptkbp:bfsLayer
|
5
|
gptkbp:bfsParent
|
gptkb:Antonio_De_Curtis
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:film
theater to film
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:anthology
|
gptkbp:audience
|
popular among audiences
|
gptkbp:awards
|
gptkb:none
theatrical awards
|
gptkbp:based_on
|
play by Eduardo De Filippo
|
gptkbp:box_office
|
successful
|
gptkbp:character
|
gptkb:Domenico_Soriano
gptkb:Dottore
gptkb:Madama_Rosa
gptkb:Don_Pasquale
Nella
Pasquale
Dottor Antonio
Carmela
|
gptkbp:character_development
|
complex characters
|
gptkbp:character_relationships
|
gptkb:Community_Center
romantic relationships
family dynamics
|
gptkbp:character_traits
|
gptkb:musical
gptkb:loyalty
gptkb:Saint
gptkb:military_operation
conflict resolution
compassion
resilience
ambition
cunning
cleverness
|
gptkbp:cinematography
|
Aldo Tontodonati
|
gptkbp:color
|
black and white
|
gptkbp:conflict
|
class conflict
|
gptkbp:country
|
gptkb:Italy
|
gptkbp:critical_reception
|
positive
well-received
|
gptkbp:cultural_impact
|
gptkb:Italian_cinema
Italian theatre
inspired future filmmakers
Italian cinema classic
|
gptkbp:cultural_references
|
traditional values
Neapolitan dialect
Italian culture
Italian folklore
|
gptkbp:cultural_significance
|
reflection of society
depicts class struggles
reflects Italian society
|
gptkbp:director
|
gptkb:Mario_Mattoli
|
gptkbp:distributor
|
Titanus
|
gptkbp:editor
|
Mario Serandrei
|
gptkbp:famous_quote
|
" La miseria è una cosa brutta"
|
gptkbp:film_festival
|
gptkb:film_festival
|
gptkbp:film_score
|
gptkb:Nino_Rota
|
gptkbp:filming_location
|
gptkb:Naples
|
gptkbp:filmography
|
gptkb:comic_book
social commentary
physical comedy
comedic timing
character-driven humor
|
gptkbp:genre
|
gptkb:musical
|
gptkbp:historical_context
|
post-war Italy
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
https://www.w3.org/2000/01/rdf-schema#label
|
Miseria e Nobiltà
|
gptkbp:influenced
|
gptkb:Italian_cinema
subsequent Italian comedies
Italian comedy films
|
gptkbp:influenced_by
|
gptkb:historical_event
gptkb:Italian_neorealism
gptkb:Commedia_dell'arte
Italian literature
Neapolitan theater
|
gptkbp:influences
|
Neapolitan culture
|
gptkbp:inspiration
|
real-life events
social class struggles
Eduardo De Filippo's life
|
gptkbp:inspired_by
|
social issues
|
gptkbp:is_motivated_by
|
search for happiness
desire for a better life
struggle for dignity
|
gptkbp:language
|
gptkb:Italian
|
gptkbp:legacy
|
cult classic
influenced future comedies
|
gptkbp:music
|
gptkb:Nino_Rota
|
gptkbp:music_style
|
realism
|
gptkbp:notable_appearance
|
the final confrontation
the reveal of the truth
the masquerade ball
|
gptkbp:notable_character
|
gptkb:Domenico_Soriano
gptkb:Rosa
gptkb:Don_Pasquale
Concetta
|
gptkbp:notable_production
|
gptkb:Teatro_di_Napoli
|
gptkbp:notable_quote
|
" La nobiltà è un'illusione"
" La nobiltà è una malattia"
|
gptkbp:official_language
|
gptkb:Italian
|
gptkbp:performance
|
gptkb:theatre
|
gptkbp:performed_by
|
theatres worldwide
|
gptkbp:plot
|
struggles of the poor
A poor man pretends to be a nobleman.
|
gptkbp:premiere
|
gptkb:Rome
|
gptkbp:premiere_date
|
1945
|
gptkbp:production_company
|
Cines
|
gptkbp:published_by
|
1945
|
gptkbp:release_date
|
December 25, 1954
|
gptkbp:release_format
|
gptkb:DJ
|
gptkbp:release_year
|
gptkb:1954
|
gptkbp:remake
|
gptkb:musical
gptkb:Luca_Miniero
gptkb:2019
gptkb:Massimo_Ghini
gptkb:Miseria_e_Nobiltà_(2019)
|
gptkbp:remastered
|
gptkb:battle
|
gptkbp:runtime
|
90 minutes
|
gptkbp:screenplay_by
|
gptkb:Eduardo_De_Filippo
|
gptkbp:setting
|
gptkb:Naples
|
gptkbp:soundtrack
|
Nino Rota's compositions
|
gptkbp:starring
|
gptkb:Peppino_De_Filippo
gptkb:Totò
gptkb:Titina_De_Filippo
|
gptkbp:style
|
farce
|
gptkbp:symbolism
|
gptkb:noble_title
poverty
|
gptkbp:theme
|
gptkb:class
poverty vs wealth
|
gptkbp:themes
|
gptkb:class
|
gptkbp:translated_into
|
multiple languages
|
gptkbp:viewership
|
widely watched in Italy
|
gptkbp:written_by
|
gptkb:Eduardo_De_Filippo
|