|
gptkbp:instance_of
|
gptkb:composition
|
|
gptkbp:audience
|
critical acclaim
|
|
gptkbp:composer
|
gptkb:Karlheinz_Stockhausen
gptkb:Stockhausen
|
|
gptkbp:cultural_impact
|
influenced electronic music composers
|
|
gptkbp:duration
|
approximately 30 minutes
|
|
gptkbp:genre
|
electronic music
|
|
gptkbp:historical_significance
|
pioneering work in live electronic music
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Mikrophonie I
|
|
gptkbp:influenced
|
gptkb:installation_art
avant-garde music
sound installation artists
|
|
gptkbp:influenced_artists
|
gptkb:John_Cage
gptkb:Brian_Eno
gptkb:Alvin_Lucier
|
|
gptkbp:influences
|
gptkb:musique_concrète
|
|
gptkbp:inspired
|
sound art
|
|
gptkbp:instrumentation
|
microphones
|
|
gptkbp:instruments
|
gptkb:sound_system
microphones
|
|
gptkbp:movement
|
New Music
|
|
gptkbp:notable_collaborations
|
WDR
|
|
gptkbp:notable_feature
|
live electronics
|
|
gptkbp:notable_for
|
use of live electronics
|
|
gptkbp:notable_performers
|
gptkb:Stockhausen_Ensemble
|
|
gptkbp:notable_recordings
|
gptkb:Stockhausen:_Mikrophonie_I_&_II
|
|
gptkbp:notable_technique
|
spatialization of sound
sound layering
live processing
|
|
gptkbp:notable_traits
|
use of feedback
|
|
gptkbp:notable_work
|
gptkb:Aerial
gptkb:astrology
gptkb:Gesang_der_Jünglinge
gptkb:Kreuzspiel
gptkb:motto
Hymnen
Stimmung
Licht
Kontakte
|
|
gptkbp:part_of
|
Stockhausen's larger body of work
|
|
gptkbp:performance
|
avant-garde music
|
|
gptkbp:performance_medium
|
electronic performance
|
|
gptkbp:performed_by
|
various ensembles
|
|
gptkbp:premiere
|
gptkb:1964
|
|
gptkbp:premiere_location
|
WDR Studio, Cologne
|
|
gptkbp:record_label
|
gptkb:Deutsche_Grammophon
|
|
gptkbp:related_genre
|
experimental electronic music
|
|
gptkbp:related_works
|
gptkb:Mikrophonie_II
|
|
gptkbp:style
|
experimental music
experimental
|
|
gptkbp:technique
|
sound manipulation
|
|
gptkbp:year
|
gptkb:1964
|
|
gptkbp:bfsParent
|
gptkb:Karlheinz_Stockhausen
gptkb:Stockhausen
|
|
gptkbp:bfsLayer
|
5
|