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gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film
gptkb:stage_play
successful adaptation
|
|
gptkbp:art_style
|
rich cinematography
|
|
gptkbp:author
|
gptkb:John_Berendt
|
|
gptkbp:awards
|
Best Seller List
|
|
gptkbp:based_on
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gptkb:non-fiction
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gptkbp:box_office
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$25 million
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|
gptkbp:budget
|
$30 million
|
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gptkbp:character_arc
|
gptkb:John_Kelso
gptkb:Jim_Williams
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|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_relationships
|
Jim Williams and John Kelso
Jim Williams and the community
John Kelso and the community
|
|
gptkbp:cinematography_by
|
gptkb:Jack_N._Green
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_artist
|
gptkb:David_Hockney
|
|
gptkbp:critical_analysis
|
explores morality
|
|
gptkbp:critical_reception
|
generally positive
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced tourism in Savannah
depicted Savannah culture
|
|
gptkbp:cultural_references
|
gptkb:Savannah's_historic_district
local cuisine
Southern culture
ghost tours
|
|
gptkbp:cultural_significance
|
explores Southern identity
highlights local traditions
examines class differences
depicts social dynamics
reflects on justice system
|
|
gptkbp:director
|
gptkb:Clint_Eastwood
|
|
gptkbp:distributor
|
gptkb:Warner_Bros.
|
|
gptkbp:edited_by
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gptkb:Joel_Cox
|
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:genre
|
gptkb:drama
gptkb:non-fiction
crime drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Midnight in the Garden of Good and Evil
|
|
gptkbp:influenced
|
gptkb:popular_culture
literary tourism
true crime genre
non-fiction narrative style
|
|
gptkbp:influenced_by
|
gptkb:biography
gptkb:Journalist
real-life events
Southern literature
true crime genre
|
|
gptkbp:inspiration
|
gptkb:crime
|
|
gptkbp:inspired_by
|
gptkb:John_Berendt
|
|
gptkbp:isbn
|
978-0-679-75558-2
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:John_Kelso
gptkb:Jim_Williams
|
|
gptkbp:music_by
|
gptkb:Clint_Eastwood
|
|
gptkbp:narrative_style
|
first-person
non-linear
|
|
gptkbp:notable_character
|
gptkb:Minerva
gptkb:Jim_Williams
gptkb:John_Berendt
gptkb:The_Lady_Chablis
|
|
gptkbp:notable_quote
|
“ The truth is, I’m not sure what the truth is.”
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:premiere_date
|
1997-12-21
|
|
gptkbp:production_company
|
gptkb:Malpaso_Productions
|
|
gptkbp:published
|
gptkb:1994
|
|
gptkbp:publisher
|
gptkb:Penguin_Books
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
1997-12-21
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1997
|
|
gptkbp:runtime
|
155 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_Lee_Hancock
|
|
gptkbp:setting
|
gptkb:Savannah,_Georgia
|
|
gptkbp:stage_play_location
|
gptkb:Savannah,_Georgia
|
|
gptkbp:stage_play_year
|
gptkb:2019
|
|
gptkbp:starring
|
gptkb:John_Cusack
gptkb:Kevin_Spacey
gptkb:Jude_Law
gptkb:Alison_Eastwood
|
|
gptkbp:symbolism
|
the garden
the good and evil theme
|
|
gptkbp:theater
|
local theater company
|
|
gptkbp:theme
|
gptkb:Southern_Gothic
gptkb:murder
gptkb:social_class
gptkb:friendship
homosexuality
|
|
gptkbp:bfsParent
|
gptkb:The_Mercer-Williams_House
gptkb:Mercer-Williams_House
gptkb:Alison_Eastwood
|
|
gptkbp:bfsLayer
|
5
|