|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Doris_Day
|
|
gptkbp:art_style
|
gptkb:Robert_F._Boyle
|
|
gptkbp:awards
|
Nominated for an Academy Award
|
|
gptkbp:box_office
|
$3.5 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Detective
gptkb:Kitty_Wonder
Brian Younger
Mr. Wonder
Mrs. Wonder
|
|
gptkbp:character_appearance
|
Jean Louis
|
|
gptkbp:cinematography
|
gptkb:Charles_Lang
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:composer
|
gptkb:George_Duning
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:cultural_impact
|
Influenced later suspense films.
|
|
gptkbp:director
|
gptkb:David_Miller
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:editor
|
Warren Low
|
|
gptkbp:film_score
|
George Duning composed the score.
|
|
gptkbp:filming_location
|
London.
|
|
gptkbp:filmography
|
102 minutes
Warren Low
|
|
gptkbp:genre
|
gptkb:mythological_figure
gptkb:film
|
|
gptkbp:home_media_release
|
Released on DVD.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Midnight Lace
|
|
gptkbp:influenced_by
|
Film noir.
|
|
gptkbp:influences
|
Hitchcock films
|
|
gptkbp:inspiration
|
Based on the play ' Matilda'.
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Considered a classic thriller.
|
|
gptkbp:plot
|
A woman is terrorized by a mysterious figure.
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:release_date
|
October 1960
|
|
gptkbp:release_format
|
Theatrical
Feature film.
|
|
gptkbp:release_year
|
gptkb:1960
|
|
gptkbp:remake
|
1995.
Thriller.
Notable actors.
Notable director.
Similar plot to the original.
The 1960 film was remade in 1995.
|
|
gptkbp:screenings
|
Premiered at the 1960 Cannes Film Festival.
|
|
gptkbp:screenplay_by
|
gptkb:Julian_Zimet
|
|
gptkbp:setting
|
London.
|
|
gptkbp:sound
|
gptkb:Mono
|
|
gptkbp:starring
|
gptkb:Doris_Day
gptkb:John_Gavin
gptkb:Rex_Harrison
|
|
gptkbp:themes
|
Fear and paranoia.
|
|
gptkbp:viewing_platform
|
Available for streaming.
|