|
gptkbp:instance_of
|
gptkb:fictional_character
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Natural_Born_Killers
|
|
gptkbp:appears_in
|
gptkb:Natural_Born_Killers
|
|
gptkbp:audience
|
cult following
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:box_office
|
gptkb:Warner_Bros.
$50 million
|
|
gptkbp:character_arc
|
gptkb:Transformation
|
|
gptkbp:character_development
|
interpersonal relationships
|
|
gptkbp:cinematography
|
gptkb:Rodrigo_Prieto
cultural critique
|
|
gptkbp:created_by
|
gptkb:Oliver_Stone
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
controversial reception
|
|
gptkbp:depicted_in
|
gptkb:faction
|
|
gptkbp:director
|
gptkb:Oliver_Stone
|
|
gptkbp:famous_quote
|
iconic lines
|
|
gptkbp:film_score
|
gptkb:R
|
|
gptkbp:filmography
|
gptkb:postmodernism
gptkb:Hunter_D._Smith
118 minutes
social commentary
surrealism
vivid imagery
pop culture icons
independent film
|
|
gptkbp:genre
|
black comedy
satirical crime film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Mickey and Mallory Knox
|
|
gptkbp:influence
|
pop culture
|
|
gptkbp:influences
|
media criticism
|
|
gptkbp:inspiration
|
real-life criminals
|
|
gptkbp:is_motivated_by
|
fame
|
|
gptkbp:legacy
|
cult classic
influence on filmmakers.
|
|
gptkbp:narrative_style
|
non-linear storytelling
satirical approach
fragmented storytelling
|
|
gptkbp:portrayed_by
|
complex personalities
|
|
gptkbp:production_company
|
Savoy Pictures
|
|
gptkbp:relationship
|
married
|
|
gptkbp:release_year
|
gptkb:1994
|
|
gptkbp:screenplay_by
|
gptkb:David_Veloz
|
|
gptkbp:setting
|
gptkb:United_States
|
|
gptkbp:soundtrack
|
various artists
|
|
gptkbp:style
|
crime spree
|
|
gptkbp:symbolism
|
media manipulation
|
|
gptkbp:symbolizes
|
anti-heroism
|
|
gptkbp:theme
|
media violence
|
|
gptkbp:themes
|
rebellion against society
fame and infamy
love and violence
violence and love
|