Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Poetry
|
| gptkbp:alumni |
20th century
|
| gptkbp:associatedWith |
Metaphysical poets
|
| gptkbp:characteristics |
Wit
Dramatic monologue Philosophical exploration Personal voice |
| gptkbp:characterizedBy |
Emotional depth
Conceits Intellectual complexity |
| gptkbp:criticism |
Complex and difficult
Lack of emotional resonance Overly_intellectual |
| gptkbp:culturalImpact |
Influence on music
Influence on literary criticism Influence on art Influence on philosophy |
| gptkbp:historicalContext |
English Civil War
Scientific Revolution Religious conflict Cultural_change_in_England |
| https://www.w3.org/2000/01/rdf-schema#label |
Metaphysical Poetry
|
| gptkbp:influenced |
Modern poetry
|
| gptkbp:influencedBy |
Philosophy
Renaissance_literature |
| gptkbp:notableFeature |
gptkb:George_Herbert
gptkb:Andrew_Marvell gptkb:John_Donne Spirituality Transcendence Existentialism Philosophical inquiry Human experience Paradoxical statements Metaphysical conceit Unexpected comparisons |
| gptkbp:notableWorks |
To His Coy Mistress
The Flea Easter Wings The Good Morrow |
| gptkbp:originatedIn |
17th century
|
| gptkbp:relatedTo |
Romantic poetry
Postmodern poetry Baroque literature |
| gptkbp:style |
Imagery
Symbolism Paradox Lyricism |
| gptkbp:theme |
Love
Nature Religion Death |