Metal Gear Solid: The Music

GPTKB entity

Statements (47)
Predicate Object
gptkbp:instance_of gptkb:album
gptkbp:artist gptkb:Harry_Gregson-Williams
gptkbp:associated_with gptkb:Metal_Gear_franchise
gptkbp:composed_of gptkb:Harry_Gregson-Williams
gptkbp:contains gptkb:The_Best_Is_Yet_to_Come
gptkb:Sins_of_the_Father
gptkb:Metal_Gear_Solid_Main_Theme
Encounter
The Best Is Yet to Come (Instrumental)
The Last in the Line
The World Needs Only One Big Boss
gptkbp:cover_art gptkb:battle
gptkbp:distribution gptkb:Konami
gptkbp:features orchestral arrangements
gptkbp:follows gptkb:Metal_Gear_Solid
gptkbp:genre gptkb:soundtrack
gptkbp:influenced_by film scores
gptkbp:inspired_by Metal Gear Solid video game
gptkbp:is_available_in streaming services
vinyl format
gptkbp:is_available_on CD
digital platforms
gptkbp:is_part_of gptkb:Metal_Gear_Solid_series
gptkbp:label gptkb:Konami
gptkbp:length 60:00
gptkbp:notable_for its cultural significance
its emotional impact
its thematic elements
its orchestral score
its connection to the game
gptkbp:notable_tracks gptkb:The_Best_Is_Yet_to_Come
gptkb:Sins_of_the_Father
gptkb:Metal_Gear_Solid_Main_Theme
Encounter
The Best Is Yet to Come (Instrumental)
The Last in the Line
The World Needs Only One Big Boss
gptkbp:precedes gptkb:Metal_Gear_Solid_2:_Sons_of_Liberty
gptkbp:produced_by gptkb:Konami_Music_Entertainment
gptkbp:recorded_by gptkb:1998
gptkbp:released gptkb:1999
gptkbp:released_in gptkb:Europe
gptkb:Japan
gptkb:North_America
gptkbp:track_count gptkb:television_series
gptkbp:bfsParent gptkb:Shadow_Moses_Incident
gptkbp:bfsLayer 5