Statements (27)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
experimental film
|
| gptkbp:addedTo |
gptkb:National_Film_Registry
1990 |
| gptkbp:cinematography |
gptkb:Alexander_Hammid
|
| gptkbp:countryOfOrigin |
gptkb:United_States
|
| gptkbp:director |
gptkb:Maya_Deren
gptkb:Alexander_Hammid |
| gptkbp:filmingLocation |
gptkb:Los_Angeles,_California
|
| gptkbp:format |
black-and-white
|
| gptkbp:genre |
avant-garde
short film |
| https://www.w3.org/2000/01/rdf-schema#label |
Meshes of the Afternoon
|
| gptkbp:influenced |
gptkb:David_Lynch
Maya Deren's later works |
| gptkbp:language |
English
|
| gptkbp:musicBy |
gptkb:Teiji_Ito
|
| gptkbp:notableFor |
use of symbolism
dream-like narrative influence on American avant-garde cinema nonlinear structure |
| gptkbp:productionCompany |
self-financed
|
| gptkbp:releaseYear |
1943
|
| gptkbp:runtime |
14 minutes
|
| gptkbp:starring |
gptkb:Maya_Deren
gptkb:Alexander_Hammid |
| gptkbp:bfsParent |
gptkb:Maya_Deren
|
| gptkbp:bfsLayer |
6
|