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gptkbp:instance_of
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gptkb:animated_film
gptkb:film
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
|
gptkb:Avant-garde_cinema
gptkb:Maya_Deren
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|
gptkbp:art_style
|
symbolic imagery
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gptkbp:awards
|
included in the National Film Registry
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gptkbp:character
|
the protagonist is unnamed
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|
gptkbp:cinematography
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gptkb:Alexander_Hammid
gptkb:Maya_Deren
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gptkbp:country
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gptkb:United_States
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gptkbp:cultural_impact
|
considered a classic of avant-garde cinema
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gptkbp:cultural_significance
|
analyzed in film studies
a reference in popular culture
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|
gptkbp:directed_by
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gptkb:Maya_Deren
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|
gptkbp:edited_by
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gptkb:Maya_Deren
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gptkbp:features
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gptkb:Alexander_Hammid
gptkb:Maya_Deren
dream sequences
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|
gptkbp:filmography
|
non-linear narrative
slow motion
close-ups
dream logic
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|
gptkbp:genre
|
gptkb:film
|
|
gptkbp:has_awards
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gptkb:Best_Experimental_Film
Best Short Film
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|
gptkbp:has_influence_on
|
gptkb:Stanley_Kubrick
gptkb:Andrei_Tarkovsky
gptkb:Pedro_Almodóvar
gptkb:David_Lynch
gptkb:Wes_Anderson
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|
gptkbp:has_symbol
|
the mirror
the key
the flower
the knife
|
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:philosopher
reality
psychological exploration
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Meshes of the Afternoon
|
|
gptkbp:influenced
|
gptkb:film
many filmmakers
the feminist film movement
the experimental film genre
|
|
gptkbp:influenced_artists
|
gptkb:Stan_Brakhage
gptkb:Andrei_Tarkovsky
gptkb:Chantal_Akerman
gptkb:David_Lynch
gptkb:Peter_Greenaway
|
|
gptkbp:influenced_by
|
surrealism
|
|
gptkbp:inspiration
|
Deren's own dreams
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
gptkb:DJ
gptkb:film
|
|
gptkbp:is_cited_in
|
gptkb:philosopher
art history
film studies
surrealism studies
|
|
gptkbp:is_considered
|
a classic of American cinema
|
|
gptkbp:is_part_of
|
gptkb:film
Maya Deren's filmography
|
|
gptkbp:is_recognized_by
|
the National Film Registry
|
|
gptkbp:is_referenced_in
|
gptkb:television_series
gptkb:literary_work
gptkb:organization
music videos
|
|
gptkbp:is_studied_in
|
art schools
film schools
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:David_Rosenboom
gptkb:David_Vernon
|
|
gptkbp:notable_appearance
|
the dream sequences
the final scene with the flower
the key scene with the knife
the repeated motif of the mirror
|
|
gptkbp:notable_feature
|
its use of symbolism
its innovative editing techniques
its representation of female experience
its exploration of the subconscious
its use of sound design
its influence on music videos
its contribution to avant-garde art
its impact on short films
its role in the history of American cinema
|
|
gptkbp:notable_for
|
its dreamlike narrative
surrealist style
|
|
gptkbp:plot
|
explores themes of identity and reality
|
|
gptkbp:premiered_on
|
gptkb:The_Museum_of_Modern_Art
gptkb:Cinematheque_Française
|
|
gptkbp:produced_by
|
gptkb:Maya_Deren
|
|
gptkbp:released_in
|
1943
|
|
gptkbp:runtime
|
14 minutes
|
|
gptkbp:screenings
|
various film festivals
|
|
gptkbp:setting
|
a house and its surroundings
|
|
gptkbp:style
|
non-linear narrative
|
|
gptkbp:technique
|
repetition and variation
|
|
gptkbp:themes
|
the nature of perception
|