|
gptkbp:instance_of
|
gptkb:artwork
|
|
gptkbp:acquired_by
|
Museums and private collectors
|
|
gptkbp:associated_artist
|
gptkb:Piero_Manzoni
|
|
gptkbp:associated_with
|
anti-art movement
|
|
gptkbp:challenges
|
Traditional art norms
|
|
gptkbp:collection
|
Museum collections
|
|
gptkbp:contributes_to
|
Art debates
|
|
gptkbp:controversy
|
Authenticity debates
|
|
gptkbp:created_by
|
gptkb:Piero_Manzoni
|
|
gptkbp:creator
|
gptkb:Piero_Manzoni
|
|
gptkbp:cultural_impact
|
Significant in art history
|
|
gptkbp:cultural_significance
|
Commentary on the art market
provocation of art norms
|
|
gptkbp:depicted_in
|
Iconic work
|
|
gptkbp:dimensions
|
8.5 cm x 6.5 cm
|
|
gptkbp:evokes
|
Strong reactions
|
|
gptkbp:exhibited_at
|
gptkb:1961
gptkb:Galleria_dell'_Ariete
|
|
gptkbp:featured_in
|
Art documentaries
|
|
gptkbp:first_edition
|
90 cans
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Merda d'artista
|
|
gptkbp:influenced
|
gptkb:contemporary_art
Contemporary artists
|
|
gptkbp:influenced_artists
|
gptkb:Marcel_Duchamp
|
|
gptkbp:influenced_by
|
gptkb:Dadaism
|
|
gptkbp:influences
|
Future art movements
|
|
gptkbp:inspired
|
gptkb:performance_art
|
|
gptkbp:inspired_by
|
Consumerism
|
|
gptkbp:is_a_subject_of
|
Academic studies
|
|
gptkbp:is_analyzed_in
|
Cultural studies
Cultural implications
|
|
gptkbp:is_discussed_in
|
Art critics
Art literature
|
|
gptkbp:is_displayed_in
|
Art exhibitions worldwide
|
|
gptkbp:is_examined_in
|
Art criticism
Art historians
Art market dynamics
|
|
gptkbp:is_influenced_by
|
Conceptual art movement
|
|
gptkbp:is_recognized_as
|
Landmark piece
|
|
gptkbp:is_visible_from
|
Art fairs
|
|
gptkbp:location
|
gptkb:Museum_of_Modern_Art,_New_York
|
|
gptkbp:medium
|
canned excrement
|
|
gptkbp:monitors
|
Irony
|
|
gptkbp:movement
|
gptkb:Arte_Povera
|
|
gptkbp:notable_collection
|
Various collectors
|
|
gptkbp:notable_exhibitions
|
Major art events
|
|
gptkbp:notable_feature
|
Controversial nature
|
|
gptkbp:notable_for
|
Provocative statement
|
|
gptkbp:notable_speakers
|
Art commodification
|
|
gptkbp:number_in_edition
|
90
|
|
gptkbp:number_of_cans
|
90
|
|
gptkbp:part_of
|
Piero Manzoni's oeuvre
|
|
gptkbp:part_of_dialogue
|
Contemporary art discussions
|
|
gptkbp:part_of_discourse
|
Art theory
|
|
gptkbp:price
|
Varies significantly
highly valued
|
|
gptkbp:related_concept
|
gptkb:Postmodernism
|
|
gptkbp:related_to
|
Piero Manzoni's other works
|
|
gptkbp:represents
|
Art as a commodity
The absurd in art
|
|
gptkbp:reprints
|
Various art forms
|
|
gptkbp:symbolizes
|
Critique of artistic value
|
|
gptkbp:type
|
gptkb:conceptual_art
|
|
gptkbp:year_created
|
gptkb:1961
|
|
gptkbp:bfsParent
|
gptkb:Pietro_Manzoni
gptkb:Italian_Modernism
gptkb:Piero_Manzoni
|
|
gptkbp:bfsLayer
|
5
|