|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Sidney_Sheldon
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:author
|
gptkb:Sidney_Sheldon
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_relationships
|
romantic and familial
|
|
gptkbp:climax
|
dramatic confrontation
|
|
gptkbp:conflict
|
personal and external struggles
|
|
gptkbp:controls
|
extensive research
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
popular in the 1990s
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Memories of Midnight
|
|
gptkbp:influenced_by
|
gptkb:Agatha_Christie
gptkb:John_Grisham
gptkb:Graham_Greene
|
|
gptkbp:influences
|
classic thrillers
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:isbn
|
978-0061093133
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Larry_Douglas
gptkb:Noelle_Page
|
|
gptkbp:motif
|
gptkb:TV_series
gptkb:festival
gptkb:military_operation
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:next_edition
|
hardcover
|
|
gptkbp:page_count
|
384
|
|
gptkbp:plot
|
non-linear
|
|
gptkbp:plot_twist
|
unexpected revelations
|
|
gptkbp:published_by
|
gptkb:1994
|
|
gptkbp:publisher
|
gptkb:William_Morrow_and_Company
|
|
gptkbp:reader_demographic
|
adult readers
|
|
gptkbp:resolution
|
ambiguous ending
|
|
gptkbp:sales
|
over 1 million copies
|
|
gptkbp:sequel
|
gptkb:The_Other_Side_of_Midnight
|
|
gptkbp:series
|
standalone
The Other Side of Midnight series
|
|
gptkbp:setting
|
gptkb:Europe
|
|
gptkbp:style
|
fast-paced
|
|
gptkbp:symbolism
|
freedom
the future
the past
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:revenge
love
|