|
gptkbp:instance_of
|
gptkb:musical
gptkb:opera
gptkb:play
|
|
gptkbp:action
|
two
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|
gptkbp:adaptation
|
gptkb:film_adaptations
gptkb:Measure_for_Measure_(film)
stage adaptations
Measure for Measure (musical)
Measure for Measure (opera)
|
|
gptkbp:adaptations
|
gptkb:musical_theatre
gptkb:opera
gptkb:film
|
|
gptkbp:based_on
|
Measure for Measure (play) by William Shakespeare
|
|
gptkbp:character
|
gptkb:Escalus
gptkb:Lucio
gptkb:Mistress_Overdone
gptkb:Field_Marshal
gptkb:Balthasar
gptkb:Claudio
gptkb:Pompey
gptkb:Froth
Mariana
Abhorson
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|
gptkbp:composer
|
gptkb:Wolfgang_Amadeus_Mozart
|
|
gptkbp:critical_reception
|
mixed
mixed reviews
well-received
|
|
gptkbp:cultural_impact
|
influenced later operas
referenced in popular culture
analyzed in legal studies
performed in theaters worldwide
studied in literature courses
adapted into various media
subject of numerous scholarly articles
adapted into graphic novels
discussed in literary criticism
performed in educational settings
adapted into various languages
inspired musical adaptations
inspired various artistic works
performed in various adaptations
discussed in academic literature
influenced contemporary playwrights
influenced television adaptations
analyzed for its social commentary
analyzed for its political themes
explored in feminist readings
explored in gender studies
explored in feminist theory
examined in film studies
explored themes of power dynamics
examined in moral philosophy
included in Shakespeare festivals
influenced modern interpretations of justice
analyzed for its portrayal of authority
discussed in ethics courses
examined in historical context studies
featured in academic discussions on morality
featured in podcasts about Shakespeare
used in debates about censorship
used in discussions about law and ethics
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|
gptkbp:director
|
gptkb:David_Mamet
gptkb:Peter_Brook
gptkb:Jonathan_Miller
|
|
gptkbp:famous_event
|
gptkb:Salzburg_Festival
gptkb:Glyndebourne_Festival
gptkb:Aix-en-Provence_Festival
gptkb:Edinburgh_Festival_Fringe
gptkb:Bregenz_Festival
|
|
gptkbp:famous_person
|
gptkb:Escalus
gptkb:Lucio
gptkb:Field_Marshal
gptkb:Claudio
Mariana
|
|
gptkbp:first_performance
|
gptkb:Prague
1604
|
|
gptkbp:genre
|
gptkb:comedy
comic opera
|
|
gptkbp:historical_context
|
Jacobean era
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Measure for Measure
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gptkbp:influence
|
inspired various adaptations
Shakespearean comedy
|
|
gptkbp:influenced_by
|
gptkb:Shakespeare's_plays
gptkb:Machiavelli
Italian opera tradition
Italian novella
Mozart's other works
|
|
gptkbp:instrument
|
gptkb:Samuel_Ramey
gptkb:Ildar_Abdrazakov
|
|
gptkbp:language
|
gptkb:Italian
Early Modern English
English
|
|
gptkbp:librettist
|
gptkb:Lorenzo_Da_Ponte
|
|
gptkbp:main_character
|
gptkb:Angelo
gptkb:Duke_Vincentio
gptkb:Isabella
|
|
gptkbp:notable_actor
|
gptkb:Mark_Rylance
gptkb:Jessica_Lange
gptkb:John_Lithgow
gptkb:Simon_Russell_Beale
gptkb:David_Tennant
gptkb:Helen_Mirren
gptkb:Emily_Watson
gptkb:Fiona_Shaw
gptkb:Rufus_Sewell
gptkb:Ian_Mc_Kellen
|
|
gptkbp:notable_aria
|
gptkb:Là_ci_darem_la_mano
|
|
gptkbp:notable_character
|
gptkb:Don_Giovanni
gptkb:Duke
gptkb:Elvira
gptkb:Masetto
gptkb:Zerlina
|
|
gptkbp:notable_characters
|
gptkb:Lucio
gptkb:Angelo
gptkb:Claudio
gptkb:Duke_Vincentio
gptkb:Isabella
|
|
gptkbp:notable_collaborations
|
gptkb:La_ci_darem_la_mano
|
|
gptkbp:notable_conductors
|
gptkb:Riccardo_Muti
gptkb:Herbert_von_Karajan
gptkb:James_Levine
gptkb:Leopold_Stokowski
|
|
gptkbp:notable_performance
|
gptkb:Royal_Opera_House
gptkb:Vienna_State_Opera
gptkb:opera
|
|
gptkbp:notable_performers
|
gptkb:Juan_Diego_Flórez
gptkb:Thomas_Hampson
gptkb:Anna_Netrebko
gptkb:Renée_Fleming
gptkb:Piotr_Beczala
gptkb:Dmitry_Hvorostovsky
|
|
gptkbp:notable_production
|
The Old Vic production
The Stratford Festival production
National Theatre production
Royal Shakespeare Company production
Bard on the Beach production
Shakespeare's Globe production
The Oregon Shakespeare Festival production
The Public Theater production
The Royal Exchange Theatre production
Theatre Royal, Bath production
|
|
gptkbp:notable_quote
|
Give me leave to have a look at you.
I am a brother to the dissolute.
Some rise by sin, and some by virtue fall.
The law hath not been dead, though it hath slept.
Give me your hand, and say you will be mine.
Give me your hand, and let me see you in another world.
|
|
gptkbp:notable_songs
|
gptkb:Take,_O_Take_Those_Lips_Away
I’ll Be a Bride
The Duke’s Song
|
|
gptkbp:number_of_acts
|
gptkb:5
two
|
|
gptkbp:orchestration
|
gptkb:orchestra
|
|
gptkbp:original_language
|
Early Modern English
English
|
|
gptkbp:part_of
|
gptkb:Shakespeare's_comedies
|
|
gptkbp:performance
|
performed at the Globe Theatre
performed at the National Theatre
performed at the Royal Shakespeare Company
|
|
gptkbp:performance_style
|
dark comedy
|
|
gptkbp:performance_tradition
|
gptkb:opera_buffa
classical music
frequently performed
|
|
gptkbp:premiere
|
1786
|
|
gptkbp:premiered_on
|
1604
|
|
gptkbp:published_in
|
gptkb:First_Folio
1623
|
|
gptkbp:recordings
|
available on CD
|
|
gptkbp:scene_count
|
gptkb:13
|
|
gptkbp:setting
|
gptkb:Vienna
|
|
gptkbp:thematic_element
|
gptkb:justice
gptkb:deception
love
morality
|
|
gptkbp:theme
|
gptkb:power
gptkb:justice
morality
mercy
sexuality
sexual morality
|
|
gptkbp:themes
|
gptkb:justice
mercy
sexual morality
|
|
gptkbp:written_by
|
gptkb:Shakespeare
gptkb:William_Shakespeare
|
|
gptkbp:bfsParent
|
gptkb:Shakespeare
gptkb:William_Shakespeare
|
|
gptkbp:bfsLayer
|
4
|