Statements (185)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical
gptkb:opera gptkb:play |
| gptkbp:activities |
two
|
| gptkbp:adaptation |
gptkb:theatre
gptkb:opera gptkb:Measure_for_Measure_(film) gptkb:film stage adaptations Measure for Measure (musical) Measure for Measure (opera) |
| gptkbp:associated_act |
gptkb:5
two |
| gptkbp:based_on |
Measure for Measure (play) by William Shakespeare
|
| gptkbp:bed_count |
gptkb:13
|
| gptkbp:character |
gptkb:military_officer
gptkb:Escalus gptkb:Lucio gptkb:Mistress_Overdone gptkb:Balthasar gptkb:Claudio gptkb:Pompey gptkb:Froth Mariana Abhorson |
| gptkbp:collaborations |
gptkb:La_ci_darem_la_mano
|
| gptkbp:composer |
gptkb:Wolfgang_Amadeus_Mozart
|
| gptkbp:critical_reception |
mixed
mixed reviews well-received |
| gptkbp:cultural_impact |
influenced later operas
referenced in popular culture analyzed in legal studies performed in theaters worldwide studied in literature courses adapted into various media subject of numerous scholarly articles adapted into graphic novels discussed in literary criticism performed in educational settings adapted into various languages inspired musical adaptations inspired various artistic works performed in various adaptations discussed in academic literature influenced contemporary playwrights influenced television adaptations analyzed for its social commentary analyzed for its political themes explored in feminist readings explored in gender studies explored in feminist theory examined in film studies explored themes of power dynamics examined in moral philosophy included in Shakespeare festivals influenced modern interpretations of justice analyzed for its portrayal of authority discussed in ethics courses examined in historical context studies featured in academic discussions on morality featured in podcasts about Shakespeare used in debates about censorship used in discussions about law and ethics |
| gptkbp:director |
gptkb:David_Mamet
gptkb:Peter_Brook gptkb:Jonathan_Miller |
| gptkbp:famous_person |
gptkb:military_officer
gptkb:Escalus gptkb:Lucio gptkb:Claudio Mariana |
| gptkbp:first_performance |
gptkb:Prague
1604 |
| gptkbp:genre |
gptkb:musical
comic opera |
| gptkbp:historical_context |
Jacobean era
|
| https://www.w3.org/2000/01/rdf-schema#label |
Measure for Measure
|
| gptkbp:influence |
inspired various adaptations
Shakespearean comedy |
| gptkbp:influenced_by |
gptkb:Shakespeare's_plays
gptkb:Machiavelli Italian opera tradition Italian novella Mozart's other works |
| gptkbp:instrument |
gptkb:Samuel_Ramey
gptkb:Ildar_Abdrazakov |
| gptkbp:language |
gptkb:Italian
Early Modern English English |
| gptkbp:librettist |
gptkb:Lorenzo_Da_Ponte
|
| gptkbp:main_character |
gptkb:Angelo
gptkb:Duke_Vincentio gptkb:Isabella |
| gptkbp:notable_character |
gptkb:Mark_Rylance
gptkb:Jessica_Lange gptkb:John_Lithgow gptkb:Simon_Russell_Beale gptkb:Don_Giovanni gptkb:Lucio gptkb:David_Tennant gptkb:Duke gptkb:Helen_Mirren gptkb:Emily_Watson gptkb:Fiona_Shaw gptkb:Rufus_Sewell gptkb:Elvira gptkb:Angelo gptkb:Claudio gptkb:Duke_Vincentio gptkb:Ian_Mc_Kellen gptkb:Isabella gptkb:Masetto gptkb:Zerlina |
| gptkbp:notable_conductors |
gptkb:Riccardo_Muti
gptkb:Herbert_von_Karajan gptkb:James_Levine gptkb:Leopold_Stokowski |
| gptkbp:notable_event |
gptkb:festival
gptkb:Glyndebourne_Festival gptkb:Aix-en-Provence_Festival gptkb:Bregenz_Festival |
| gptkbp:notable_performance |
gptkb:Royal_Opera_House
gptkb:Vienna_State_Opera gptkb:opera gptkb:opera_buffa classical music frequently performed |
| gptkbp:notable_performers |
gptkb:Juan_Diego_Flórez
gptkb:Thomas_Hampson gptkb:Anna_Netrebko gptkb:Dmitri_Hvorostovsky gptkb:Renée_Fleming gptkb:Piotr_Beczala |
| gptkbp:notable_production |
The Old Vic production
The Stratford Festival production National Theatre production Royal Shakespeare Company production Bard on the Beach production Shakespeare's Globe production The Oregon Shakespeare Festival production The Public Theater production The Royal Exchange Theatre production Theatre Royal, Bath production |
| gptkbp:notable_quote |
Give me leave to have a look at you.
I am a brother to the dissolute. Some rise by sin, and some by virtue fall. The law hath not been dead, though it hath slept. Give me your hand, and say you will be mine. Give me your hand, and let me see you in another world. |
| gptkbp:notable_recordings |
available on CD
|
| gptkbp:notable_song |
gptkb:Take,_O_Take_Those_Lips_Away
gptkb:Là_ci_darem_la_mano I’ll Be a Bride The Duke’s Song |
| gptkbp:official_language |
Early Modern English
English |
| gptkbp:orchestration |
gptkb:orchestra
|
| gptkbp:part_of |
gptkb:Shakespeare's_comedies
|
| gptkbp:performance |
dark comedy
performed at the Globe Theatre performed at the National Theatre performed at the Royal Shakespeare Company |
| gptkbp:premiere |
1786
|
| gptkbp:premiered_on |
1604
|
| gptkbp:published_by |
gptkb:First_Folio
1623 |
| gptkbp:setting |
gptkb:Vienna
|
| gptkbp:thematic_element |
gptkb:justice
gptkb:military_operation love morality |
| gptkbp:theme |
gptkb:justice
gptkb:superhero morality mercy sexuality sexual morality |
| gptkbp:themes |
gptkb:justice
mercy sexual morality |
| gptkbp:written_by |
gptkb:Shakespeare
gptkb:Educational_Institution |
| gptkbp:bfsParent |
gptkb:Educational_Institution
|
| gptkbp:bfsLayer |
2
|