gptkbp:instanceOf
|
gptkb:play
|
gptkbp:adaptation
|
film adaptations
stage productions
opera by Richard Wagner
|
gptkbp:author
|
gptkb:William_Shakespeare
|
gptkbp:countryOfOrigin
|
gptkb:England
|
gptkbp:dateWritten
|
circa 1603
|
gptkbp:firstPerformed
|
1604
|
gptkbp:genre
|
gptkb:comedy
problem play
|
gptkbp:hasCharacter
|
gptkb:Barnardine
gptkb:Escalus
gptkb:Mistress_Overdone
gptkb:Mariana
gptkb:Juliet
gptkb:Elbow
Pompey
|
gptkbp:hasSourceMaterial
|
gptkb:Promos_and_Cassandra_by_George_Whetstone
|
https://www.w3.org/2000/01/rdf-schema#label
|
Measure for Measure
|
gptkbp:influencedBy
|
gptkb:Cinthio's_Hecatommithi
|
gptkbp:language
|
English
|
gptkbp:mainCharacter
|
gptkb:Lucio
gptkb:Duke_Vincentio
gptkb:Angelo
gptkb:Claudio
Isabella
|
gptkbp:notableAdaptation
|
gptkb:BBC_Television_Shakespeare_(1979)
2019 Australian film adaptation
|
gptkbp:notablePerformance
|
gptkb:Globe_Theatre
gptkb:National_Theatre
gptkb:Royal_Shakespeare_Company
|
gptkbp:notableQuote
|
Some rise by sin, and some by virtue fall.
The tempter or the tempted, who sins most?
|
gptkbp:partOf
|
gptkb:Shakespearean_canon
|
gptkbp:publishedIn
|
1623
|
gptkbp:publisher
|
gptkb:First_Folio
|
gptkbp:setting
|
gptkb:Vienna
|
gptkbp:subject
|
gptkb:government
gptkb:law
corruption
forgiveness
sexual ethics
|
gptkbp:theme
|
justice
morality
sexuality
mercy
hypocrisy
|
gptkbp:bfsParent
|
gptkb:First_Folio
gptkb:King's_Men
gptkb:Lord_Chamberlain's_Men
gptkb:Shakespeare's_First_Folio
gptkb:Miriam_Shor
gptkb:Shakespeare_First_Folio
|
gptkbp:bfsLayer
|
5
|