Statements (99)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:fictional_character
gptkb:character |
| gptkbp:adaptation |
gptkb:The_Producers_(musical)
|
| gptkbp:alliance |
gptkb:Roger_De_Bris
|
| gptkbp:antagonist |
gptkb:the_IRS
|
| gptkbp:appears_in |
gptkb:The_Producers
|
| gptkbp:character_arc |
redemption
|
| gptkbp:character_development |
from failure to success
from conman to hero from greed to redemption |
| gptkbp:character_traits |
manipulative
charismatic greedy |
| gptkbp:conflict |
legal issues
financial troubles |
| gptkbp:created_by |
gptkb:Mel_Brooks
|
| gptkbp:creator |
gptkb:Mel_Brooks
|
| gptkbp:cultural_impact |
influenced comedy films
|
| gptkbp:enemy |
gptkb:investors
|
| gptkbp:famous_for |
his comedic timing
his eventual downfall his flamboyant personality his dramatic confrontations his role in the plot twist his over-the-top antics his theatrical flair his outrageous schemes his final redemption his interactions with investors his partnership with Leo Bloom his relationship with Ulla his theatrical ambitions producing bad plays the line " I’m going to be a millionaire!" |
| gptkbp:famous_quote |
“ It’s good to be a king!”
“ I’m going to be a millionaire!” “ I’m not a producer, I’m a director!” " I’m not a producer, I’m a director!" |
| gptkbp:famous_song |
“ Betrayed”
“ I Wanna Be a Producer” “ Springtime for Hitler” “ The King of Broadway” “ When You Got It, Flaunt It” |
| gptkbp:film_editing |
2005 film The Producers
|
| gptkbp:financial_scheme |
raising money from elderly women
raising money for a flop |
| gptkbp:first_appearance |
1967 film The Producers
|
| gptkbp:friend |
gptkb:Franz_Liebkind
|
| gptkbp:goal |
to produce a Broadway flop
produce a Broadway flop |
| gptkbp:has_catchphrase |
“ It’s good to be the king!”
“ I’m going to be a producer!” |
| gptkbp:has_conflict_with |
gptkb:investors
|
| gptkbp:has_function |
gptkb:Leo_Bloom
|
| gptkbp:has_goal |
produce a Broadway flop
|
| gptkbp:has_occupation |
gptkb:theater_productions
|
| https://www.w3.org/2000/01/rdf-schema#label |
Max Bialystock
|
| gptkbp:influenced_by |
real-life Broadway producers
Mel Brooks' comedic style the absurdist theater movement the golden age of Broadway theater culture of the 1960s |
| gptkbp:inspiration |
real-life Broadway producers
based on real-life producers |
| gptkbp:is_associated_with |
gptkb:Broadway
|
| gptkbp:is_character_in |
gptkb:musical_comedy
|
| gptkbp:is_featured_in |
gptkb:film_adaptation
gptkb:stage_adaptation |
| gptkbp:is_known_for |
his outrageous schemes
|
| gptkbp:is_motivated_by |
gptkb:greed
desire for wealth |
| gptkbp:legacy |
iconic character in musical theater
|
| gptkbp:notable_for |
fraudulent Broadway productions
|
| gptkbp:notable_scene |
the audition scene
the closing number the opening number the ' I Want to Be a Producer' number the ' Springtime for Hitler' scene |
| gptkbp:occupation |
gptkb:theater_productions
|
| gptkbp:partnership |
gptkb:Leo_Bloom
|
| gptkbp:personality_trait |
manipulative
charismatic greedy desperate over-the-top |
| gptkbp:portrayed_by |
gptkb:Nathan_Lane
gptkb:Zero_Mostel |
| gptkbp:portrayed_in |
gptkb:musical
animated adaptations |
| gptkbp:relationship |
with women
|
| gptkbp:relationship_with |
gptkb:Leo_Bloom
|
| gptkbp:relationship_with_leo |
gptkb:Partnerships
friends mentor-mentee |
| gptkbp:setting |
gptkb:New_York_City
|
| gptkbp:style |
comedic
|
| gptkbp:uses_fraud |
to raise funds
|
| gptkbp:bfsParent |
gptkb:The_Producers
|
| gptkbp:bfsLayer |
4
|